Category Archives: Aesthetics

Hillary’s Spinning A Web For Charlotte

Aesthetics, Family, Feminism, Gender, Hillary Clinton, Welfare

Charlotte’s Web is a darling children’s book, published in 1952:

The novel tells the story of a pig named Wilbur and his friendship with a barn spider named Charlotte. When Wilbur is in danger of being slaughtered by the farmer, Charlotte writes messages praising Wilbur (such as “Some Pig”) in her web in order to persuade the farmer to let him live.

A web of a different kind is the one being woven by Grandma Clinton in the name of Charlotte, her infant granddaughter, also the putative inspiration for Hillary’s presidential bid.

“Becoming a grandmother has made me think deeply about the responsibility we all share as stewards of the world we inherit and will one day pass on. Rather than make me want to slow down, it has spurred me to speed up,” she writes in the new ending to her 2014 book, “Hard Choices.” … The former secretary of state was expected to announce her candidacy for president “as early as Sunday,” according to NBC News sources.
Clinton’s only child, Chelsea, gave birth last September to a daughter, Charlotte.
Clinton said she is inspired to keep working to ensure that Charlotte and her generation are provided equal opportunities to live up to their potential.
“You shouldn’t have to be the granddaughter of a President or a Secretary of State to receive excellent health care, education, enrichment, and all the support and advantages that will one day lead to a good job and a successful life. That’s what we want for all our kids,” she says. (Today News)

Trust liberals to call this welfare-womin centric message original.

Here’s Hillary in one of the many Mao tunics she’s fond of wearing:

Mao Zedong:

Evocative Ad That Wouldn’t Wash At The ‘Toilet Bowl’ Halftime

Aesthetics, Art, Business, Film, Music, Technology

It’s a beautiful and evocative ad, which explains why you didn’t see it during the ‘Toilet Bowl’ halftime.

Music makes an event, an ad, a movie, even a marriage. Who among us oldies can forget the sound track to the French film “A Man And A Woman,” directed by Claude Lelouch? Not me. This dates me—both as an oldie and an incorrigible romantic.

The fact that I identified the voice and song of Edith Piaf in “The Daring: No Regrets,” a new ad for the 2016 Cadillac CT6, dates me too. The text is good, the sound track beautiful—I can’t believe I used to mock Edith Paif’s overly emotional delivery. I guess it takes decades of Beyonces, Jay-Zs, Madonnas, Iggy Azaleas, Katy Perrys, and Coldplays; a Nicki Minaj, a Kanye West, and a Missy Elliott to make one appreciate a tune, a voice, instrumental proficiency; chord progression and composition, in general, to say nothing of the emotion music is meant to evoke.

Enjoy the music and the message. Steve Wozniak makes an appearance to drive it home. A shame that the slogan, “Dare Greatly,” comes courtesy of statism by FDR. To be expected, I suppose.

As expected, Cadillac has taken the next step in rebuilding its image by releasing a new ad entitled The Daring: No Regrets. First airing during the 87th annual Osca

BRAVO.

UPDATED: Well Of Course Glenn’s Gaga Over Gaga (Madge Mid-Twerk)

Aesthetics, Art, Music, Pop-Culture

High-culture has been replaced with low-culture. The great music of the West has made way for a sewer of sound (exhibits are the primal screams/grunts of a Jennifer Hudson or an Iggy Azalia). The beauty of dance has vanished, reduced on stage to the twerk, a genitalia centered grinding, as base as the dance of a primate in estrous.

No wonder Glenn Beck, the over-emotional broadcaster, went overboard for a change, when a young, Caucasian, American singer, with a modicum of talent she labors to conceal, sang the sweet, elevating Sounds of Music in-tune, without screaming, yodeling or simulating sex.

Lady Gaga proved that when she’s not answering the call of the wild—the masses hungering for audial and visual pornography—she can sing sweetly. (Noted here in 2011.)

Having helped pimp the White House, it is no surprise that Barack Obama’s holy man, Rev. Jeremiah Wright, despises and envies what he once labeled “European” music.

“To illustrate how African music differs from ‘European’ music, this so-and-so emitted a caterwauling which was supposed to come-off as a cantata. To emphasize the pomposity of the cantata, Wright launched into Brother musical mode, jovial and jolly. Black music was different, not deficient, to white music, said he. But Wright’s contemptuous tone and mimicry implied that the former was filled with joie de vivre, the latter just jejune.”

MORE.

UPDATE:

MADGE MID-TWERK. This is not female, it’s feral.