printHigh-culture has been replaced with low-culture. The great music of the West has made way for a sewer of sound (exhibits are the primal screams/grunts of a Jennifer Hudson or an Iggy Azalia). The beauty of dance has vanished, reduced on stage to the twerk, a genitalia centered grinding, as base as the dance of a primate in estrous.
No wonder Glenn Beck, the over-emotional broadcaster, went overboard for a change, when a young, Caucasian, American singer, with a modicum of talent she labors to conceal, sang the sweet, elevating Sounds of Music in-tune, without screaming, yodeling or simulating sex.
Lady Gaga proved that when she’s not answering the call of the wild—the masses hungering for audial and visual pornography—she can sing sweetly. (Noted here in 2011.)
Having helped pimp the White House, it is no surprise that Barack Obama’s holy man, Rev. Jeremiah Wright, despises and envies what he once labeled “European” music.
“To illustrate how African music differs from ‘European’ music, this so-and-so emitted a caterwauling which was supposed to come-off as a cantata. To emphasize the pomposity of the cantata, Wright launched into Brother musical mode, jovial and jolly. Black music was different, not deficient, to white music, said he. But Wright’s contemptuous tone and mimicry implied that the former was filled with joie de vivre, the latter just jejune.”
UPDATE:
MADGE MID-TWERK. This is not female, it’s feral.
