print“There’s one pesky problem with all the indignant huffing and puffing” over the film “Redacted”; it’s “based on a true story. It’s a docudrama. Moral grandstanding notwithstanding, our mighty mediacrats have failed to mention that minor detail.”
“De Palma has, at least, bothered to commemorate the vanquished young victim at the center of ‘Redacted.’ To Rupert Murdoch’s protégés in Mainstream Media, Abeer Qasim Hamza al-Janabi is redundant, a castaway. The same broadcasters who won’t quit braying when an American youngster is harmed pan De Palma for widening his lens to include an Iraqi girl’s ghastly demise at the hands of American soldiers…”
The complete column is “Redacted: De Palma Tells The Truth,” now on WorldNetDaily.com.
Update #I: I’m pro-truth, not anti-troops. For those who can’t Google–or rely on Michelle Malkin to verify facts for them–this case is well-documented. The culprits are sitting in jail, one for 90 years. The idea that individuals should shut up to serve what the mediacrats and their masters in Washington declare to be best for the fictitious collective is … fascistic.
Update #II: Americans don’t want to see a miserable film about a war most don’t support and aren’t able to bring to an end, thanks in no part to the lapdogs that lap up the propaganda perpetrated by what I’ve dubbed the Media-Military-Congressional-Industrial-Complex.
Said offenders have surmised Americans won’t see the film because they want the army to continue mucking about in Iraq. Who’s to say Americans are not simply avoiding a miserable film, about a miserable reality they can do nothing about? Wake up lapdogs! The likes of Ann Coulter are getting rich off the war; you ordinary suckers are paying for it—some with their lives, and all with a devalued dollar and depreciated assets.
As for those who would like to decide what narrative will power a De Palma film: Why can’t De Palma tell any sorry story he likes? Why must he do what these collectivists think he should do? Since when must a director be directed in the choice of his subject matter? So much for our dwindling freedoms. Live and let live.
Asking “what is De Palma’s motive or justification” for producing his film is like asking me why I inveigh against injustices as I see them. I’m a political and cultural commentator. If you want to read non-controversial nonsense, then read Cosmopolitan. Similarly, filmmakers are like novelists; the one writes about things he thinks are important and have touched him; the other depicts them on celluloid. (Personally, I like films like “Dressed to Kill”—thrillers. As I say in the column, Hollywood no longer entertains me.) This reminds me of the foul attacks I got when, starting in 2002, I protested the unjust, illegal, unconstitutional Iraq war. It’s no different.