Category Archives: Art

Mass Murderer Exhibits Barren Art

Aesthetics, Art, Bush, Crime, Criminal Injustice, Media, Republicans, War

Not quite murderabilia, but certainly the “artwork” of a mass murderer. George Bush is exhibiting his hideous, Socialist-realism style art. Dana Perino waxed orgasmic about the Bush art on that vapid program called “The Five.” From where Dana Ditz is perched, it’s fine to worship Bush and his puke paintings, but not Obama.

Bush’s art has a “Pogo the Clown” quality to it. The allusion is to the art of another mass murderer, John Wayne Gacy Jr. The boxy lines and the dead quality of the art of both men makes it difficult to tell the difference; the art of Bush Jr. has the same turgid quality as that of John Wayne Gacy Jr.

See if you can differentiate:

Bush even had the audacity to paint the faces of men he sent into an unethical, unconstitutional war, in violation of Just War Theory.

Bush and Gacy are not the first butchers to paint, if you can call it that. Ulysses S. Grant smeared paint around too. Grant’s muse was murder:

Sherman wrote to Ulysses S. Grant (commanding general of the federal army) in 1866, “even to their extermination, men, women and children.” The Sioux must “feel the superior power of the Government.” Sherman vowed to remain in the West” till the Indians are all killed or taken to a country where they can be watched.”

“During an assault,” he instructed his troops, “the soldiers cannot pause to distinguish between male and female, or even discriminate as to age.” He chillingly referred to this policy in an 1867 letter to Grant as “the final solution to the Indian problem,” a phrase Hitler invoked some 70 years later.

I must concede that Ulysses S. Grant was a lot more talented than the two other mass murderers. This poor horse, snout buried in a nose bag, has a long-suffering quality to it, almost like its illustrator had feelings for his subject.

*Bloodbath image here

UPDATED: Camelot Culture Vs. Pimp Culture (Categorical Confusion)

Aesthetics, America, Art, libertarianism, Music, Pop-Culture

The truth is that Camelot in the title stands for the West; for high-culture compared to low-culture. The great music of the West vs. the sewer of sound that has replaced it and which is second nature to this president.

In any event, the leader of the country whose press snickered at Russia for its enduring affection for classical music is offering up Mary J. Blige as entertainment, at a state dinner for the French President Francois Hollande.

Being a classless act in his own right, Hollande will probably dig it.

Oh, what would Jackie O say! That most cultured, knowledgeable and bright First lady was in the habit of seeking out the likes of cellist Pablo Casals for her state dinners.

Here are some of the cultural highlights from the Camelot years. The White House might have been occupied by a statist, but by one who loved high Western culture:

1961

January 20 ”Camelot” opens in Washington as John Kennedy is sworn in as president, instructing Americans to ”ask what you can do for your country.”

January 21 Bernstein’s “Fanfare for JFK,” written for the new President, premieres at the inaugural gala with the composer conducting. Pianist Earl Wild, currently a Columbus resident, performs Gershwin’s “Rhapsody in Blue.”

March 9 President Kennedy sends a letter to the President of the Senate and to the Speaker of House urging early enactment of legislation on the proposed National Cultural Center.

May 3 The Air Force Pipers and the Drum and Bugle Corps perform on the South Lawn after the first state dinner for President Habib Bourguiba of Tunisia.

July 11 The Kennedys hold the first White House state dinner away from the White House, at Mt. Vernon, to honor the Pakistani President, complete with the National Symphony Orchestra playing Mozart, Debussy, Gershwin, and Morton Gould.

August 22 Jackie Kennedy sponsors the first “Concert for Young People by Young People,” performed by the Transylvania Youth Orchestra from the Brevard Music Center on the White House South Lawn.

November 13 Pablo Casals plays for a state dinner honoring Governor Luis Munoz-Marin of Puerto Rico. Broadcast nationally by NBC and ABC radio, a recording was distributed commercially by Columbia.

1962
January 19 The Kennedys fete the 80-year-old Russian-born composer Igor Stravinsky, who calls the two “Nice kids.”

February 20 25-year-old black mezzo-soprano Grace Bumbry makes her American debut at the White House after a state dinner.

April 29 The White House honors 49 Nobel Prize winners, prompting JFK to comment upon the “most extraordinary collection of talent, of human knowledge that has ever been gathered together at the White House with the possible exception of when Thomas Jefferson dined alone.”

May 11 André Malraux, the French Minister of Cultural Affairs, is honored at a White House dinner with entertainment by the famous Stern/Rose/Istomin Trio performing the complete 45-minute Schubert Trio in B Flat.

September 11 Mrs. Kennedy unveils Edward Durell Stone’s model for the National Cultural Center.

October 16 The President proclaims November 26 through December 2, 1962, National Cultural Center Week.

November 19 Following a tour of Latin America under President Kennedy’s Cultural Exchange Program, The Paul Winter Jazz Sextet gives the first jazz concert in the White House.

November 29 During Kennedy’s “National Culture Center Week,” a closed-circuit television broadcast airs to raise funds on behalf of the National Cultural Center.

1963
February 21 JFK broadens the scope of the Presidential Medal of Freedom to include persons who had made especially meritorious contributions from just “(1) the security or national interests of the United States or (2) world peace, to (3) cultural or other significant public or private endeavors.”

June 4 The Opera Society of Washington, with Columbus’ own Clara O’Dette in the chorus, performs for the President of India.

June 12 Kennedy issues a statement establishing the Advisory Council on the Arts.

October 26 President Kennedy remarks on the importance of the arts at Amherst College.

November 13 President and Mrs. Kennedy join 1,700 children on the South Lawn for a performance by the Pipes and Drums of the Black Watch of the British Army.

November 25 At the request of Mrs. Kennedy, the Marine Band led the funeral procession of President John F. Kennedy.

December 6 Cellist Pablo Casals, contralto Marian Anderson, and pianist Rudolf Serkin are given Kennedy’s Presidential Medal of Freedom, the first musicians ever recognized for this award. John and Jackie Kennedy had studied, revised, and approved the design submitted for the medal which was handed out to all 31 recipients.

UPDATE (2/12): On Categorical Confusion. I never pollute and muddy a discussion of culture with politics. That is positively postmodern. An error. (And so lite libertarian). Some readers are in the habit of causing this categorical confusion among my readers. If only they’d learn. Jackie was the quintessential Renaissance Woman. She cultivated great culture—and knew this “culture” well; she was no culture vulture. This is the focus here. This is ALL that is relevant to the discussion here.

From “Will The Real Slim Shady Please Stand Up?”:

Rev. Jeremiah Wright’s envy of what he labels “’European’ achievements is palpable. Why else would he have devoted an hour to listing ‘European’ accomplishments, mocking them, and defining as difference the failure to emulate them?”

“To illustrate how African music differs from ‘European’ music, this so-and-so emitted a caterwauling which was supposed to come-off as a cantata. To emphasize the pomposity of the cantata, Wright launched into Brother musical mode, jovial and jolly. Black music was different, not deficient, to white music, said he. But Wright’s contemptuous tone and mimicry implied that the former was filled with joie de vivre, the latter just jejune.”

MORE.

Worse Than The 2012 T & A Lineup In Bump-N’-Grind Britannia? Never!

America, Art, Russia, Sport, The West

Very little of the US media’s reflexive demonization of Russia and the Sochi games should be trusted. The trashing began well before the games and came from the usual menagerie of media morons, who, from studios in the US, were able to attest to everything from the availability of toilet paper to the overlapping dangers of terrorism and toothpaste.

Not even in my current misery would I watch the opening ceremony. However, CNN mentions—horrors!—the playing of “classical music” at the opening ceremony. What the Russians played CNN did not say. Would that the Russians played Pathétique, or even better, Violin Concerto in D by The Big T. I might have watched.

I suppose Anglo-American aging hipsters think of Tchaikovsky as a poor substitute for Jay Z.

In any event, for an assault on the ear and the eye nothing can beat the horror show put on by Bump-N’-Grind Britannia in 2012.

Among that talentless lineup of T & A (as awful as anything you’d find in our country) was one Jessie J, aka The Crotch, who did a poor man’s version of Beyonce’s God-awful bump and grind. This British primal screamer destroyed “We Will Rock You” (admittedly one of Queen’s worst numbers) and drowned out Brian May with ease. Another sequence in the closing ceremony of the London 2012 Olympics (The Idiocracy at home was charmed) saw a chorus-line of prancing nuns and “men” stomping about with garbage cans.

Then there were the fucking kids. They mimed and gesticulated to the hackneyed sounds of “Imagine.” Their affectatious performance was reminiscent of the performance “art” of the 1960s and 1970s. Passe.

More about that puke fest in Britain here.

A Song For Sunday

Art, Music

These days, popular “musicians” can riff about themselves aplenty, but they can’t write music, play their instruments proficiently or come up with lyrics as intense as these. Here’s “Still Loving You,” an achingly beautiful, classic rock ballad by The Scorpions.

With a happy birthday to my dear sister.

Time, it needs time to win back your love again
I will be there, I will be there
Love, only love can bring back your love someday
I will be there, I will be there

Fight, babe, I’ll fight to win back your love again
I will be there, I will be there
Love, only love can break down the wall someday
I will be there, I will be there

If we go again all the way from the start
I would try to change the things that killed our love
Your pride has built a wall, so strong that I can’t get through
Is there really no chance to start once again? I’m loving you

Try, baby, try to trust in my love again
I will be there, I will be there
Love, our love just shouldn’t be thrown away
I will be there, I will be there

If we’d go again, all the way from the start
I would try to change the things that killed our love
Your pride has built a wall, so strong that I can’t get through
Is there really no chance to start once again?

If we’d go again, all the way from the start
I would try to change the things that killed our love
Yes, I’ve hurt your pride, and I know what you’ve been through
You should give me a chance, this can’t be the end

I’m still loving you
I’m still loving you
I’m still loving you
I need your love
I’m still loving you
Still loving you, baby

Still loving you
I need your love
I’m still loving you
I need your love

I’m still loving you
I need your love
I need your love

(The Scorpions – Still Loving You Lyrics | MetroLyrics)