Category Archives: Film

Hollywood Hack Hysteria

Film, Free Speech, Hollywood, Private Property, Technology, Terrorism

From their citadels of stupidity, the US mainstream media went into full St. Vitus mode over an attack by hackers on Sony Pictures. The Apoplectic Press tell those they gull on a daily basis that North Korea is behind the hack, “which,” by BBC News’ more measured report, “exposed embarrassing emails and personal details about some of the world’s biggest movie stars,” escalating “after the supposed hackers made threats against cinemas showing the film.”

The moron media have shared speculations but not much credible evidence as to the source of the hack. Still, the president and his press corp assure everyone, no evidence required, that the crazy communist regime is the culprit: “US media quoted anonymous officials as saying that the FBI had linked North Korea to the attacks.”

Well, that settles it, now doesn’t it?!

It’s quite possible, maybe likely, that North Korean hackers were set loose on Sony Pictures and employees for the impending release of the “satirical comedy The Interview, which involves a plot to assassinate North Korean leader Kim Jong-un.” But the onus is on the moron media to present the evidence.

The film’s New York premiere was cancelled and cinema chains cancelled screenings, leading Sony to announce that it had “decided not to move forward with the planned December 25 theatrical release”.

No great cultural loss. The same can be said of the decision by the Sony cowards to cancel the screening of yet another five of their crap products, among these Black Annie, a concept almost as alien as a white Kunta Kinte (of Roots fame).

So can anyone tell me what the histrionics are all about? Aren’t there clever, calm ways by which smart Americans can ward off hack attacks?

Favorite Actor A … Welshman

Film, Hollywood

Matthew Rhys is magnificent in “The Americans,” which is the best series on TV. I wondered about him when he was no where to be seen prancing about on the Red Carpet with Hollywood phonies. The explanation: Rhys is Welsh. Last night we watched him in The Scapegoat, an adaptation of a Daphne du Maurier novel (I liked her moody mysteries a lot in my early teens).

Rhys does not disappoint.

UPDATED: Had Robin Williams Been Hopelessly Boxed In? (My Bad)

Celebrity, Film, Hollywood, Human Accomplishment

To be sure, Robin Williams was an enormous talent. This is reflected in the myriad interviews and standup routines playing on TV since his suicide. Although I’ve always enjoyed these impromptu exchanges when I caught them—I’m familiar only with the handful of dramas and thrillers in which Williams starred. And superbly so. As someone who despises silly slapstick like “Mrs. Doubtfire” and “The Birdcage,” I have to wonder why a talent like Williams was typecast as the eternal clown. Perhaps this deadening dead-end made him so very sad.

The Williams of “One Hour Photo” was hypnotic in the depth of his portrayal of a lonely misfit’s unraveling. His role in “Insomnia” was less memorable, but nevertheless chilling, as it ought to have been. Roger Ebert panned “The World According to Garp,” but I loved Williams in it. I saw “The Night Listener,” too.

That’s as far as the Robin Williams oeuvre available to me goes. Sad that. Had Robin Williams of blessed memory been hopelessly boxed in? I suspect so.

Williams seemed a gentle soul. He had a sad, intelligent, twinkle in the eyes, and he always looked as if he was about to start bawling, for real.

UPDATE (8/16): My Bad. “Awakenings”: A doff of the hat to my young friend Kerry Crowel, who reminded me that “‘Awakenings’ starred Robin Williams and Robert DeNiro in a really heavy drama about a doctor caring for patients that have awoken from long comas, or something like that. I remember the critics loving it.” I loved it too. I saw it. Both actors were brilliant.

UPDATE IV: Latest Anti-Man Moaning From Menstruation Lobby (‘The Americans’)

Capitalism, Celebrity, Feminism, Film, Gender, Government, Hollywood, Political Correctness

Just for a change, the menstruation lobby is moaning about the movies and its members’ representation therein: “The latest study on women in front of the camera finds that female characters are still significantly under-represented on the big screen. … The numbers for minority females are even lower. African-American female representation on screen climbed to 14%, from 8% in 2011, but down from 15% in 2012.”

Despite the same lobby’s attempt to ban the word, we women are “bossy.”

I control the remote in the house. My husband, however, is happy to allow it, because we like viewing the same things—except that he is more patient and prone to watch foolish female heroes strut their stuff in stilettos and plunging cleavages while chasing the bad guys. He’s been softened. He believes the schtick.

Other than “Olivia” in “Law and Order”—she’s the only believable woman in a tough-cop routine—I can’t watch females as action heroes because it doesn’t make sense. I’m way too wedded to reality to find women believable in these roles.

As for the presence of minorities in movies: it usually signals a two-hour long, oppressive racial lecture. And “I’m no more inclined to turn to ’12 Years A Slave’ for entertainment, than I am to subject myself to Oprah Winfrey and her M.O.P.E. (Most Oppressed Person Ever) ‘Butler.'”

Maybe other viewers are on to this and agree, because it is quite clear that Hollywood is giving viewers what they want to see: men in lead roles. If film executives listened to loathsome Lena Dunham, instead of to the demands of consumers—the industry would go bankrupt.

In any event, Sean and I both like the Metal and Military Channels, “Investigation Discovery” for the gory real-life murder cases, “Law and Order” (Olivia’s awesome), “The Following,” “Criminal Minds” (the horror compensates for the hens), “Justified,” and, I know the category is wrong, but the Oscars belongs to ….

The Americans.

It is simply superb; TV at its best: no politics, surprisingly, no mega movie stars (who usually can’t act); real foreigners playing foreigners (no fake foreign accent, courtesy of Angelina Jolie), and a great script.

Enjoy tonight’s episode.

UPDATE I (3/13): The Following” is ad hoc, make-it-up-as-you-go garbage. But it’s done well-enough to entertain.

UPDATE II: “THE AMERICANS.” The script and story are so good in The Americans, that you don’t root for a political side—the story is remarkably apolitical, given how political is should be, the halmark of good storytelling—you simply get absorbed in the plot. It’s a great spook story. That’s the experience the movies should deliver. Good narrative, good acting, no wagging finger. However, it is pro-American in the subtle, good, non-rah-rah way, as it shows how the couple is living the life while going through the spook motions. It is wonderful TV.

UPDATE III: The script and story are so good in “The Americans,” that you don’t root for a political side—the story is remarkably apolitical, given how political is should be, the hallmark of good storytelling—you simply get absorbed in the plot. It’s a great spook story. That’s the experience the movies should deliver. Good narrative, good acting, no wagging finger. However, it is pro-American in the subtle, good, non rah-rah way, as it shows how the couple is living The Life while going through the spook motions. It is wonderful TV.

House of Cards: I do not like a lecture: not from the Right, the Left, or from the libertarians (my crowd). And I do not watch any program about politicians, CIA, FBI, NSA. I want to excise these cancers from my life.

UPDATE IV: Some seek an ideology in a story, I seek a good narrative. Not sure what it is about my explanation on Facebook that Friends have failed to get about excising all gov. from my life. CIA, FBI, NSA, D.C.: “Good” or bad, it’s all bad, because it should be abolished. I don’t watch it for “fun.” I write about it.