Category Archives: Hollywood

Updated: DVD Distractions

Art, Celebrity, Film, Hollywood

I’ve been promising The Judge a list of reasonable DVD distractions.
We folks might not be able to afford a shopping trip to Paris, as the one Michelle Obama, the Royal Grandma and Girls took courtesy of the taxpayers, but we can all kick back with a reasonable film and some home-made popcorn, and try and forget our odious overlords for a short while.

Here are a few picks, ranked from best to worst.

1) “Doubt” with Meryl Streep, Philip Seymour Hoffman, Amy Adams. Excellent performances and a powerful lesson about gossip. I liked the analogy of a slashed feather cushion. The feathers fly away, irretrievable like gossip. I don’t know about Christianity, but a Jew is prohibited from bad-mouthing another. Of course, this is a sin we all commit.
I suspect the story was also meant to poke at the hierarchical structure of the Catholic Church. However, that minor folly can easily be ignored.

2) “Changelin.” With the edification of our friend Thomas Szasz, we covered the topic in a previous blog.

3) “Hard 8”: excellent acting. This 1996 film is a real old-school flick. The characters are well-developed, the plot unexpected, and an emphasis placed on what drives the protagonists. When I say the storyline was good, I mean this: Most film scripts these days offer such thin gruel for stories that, I don’t know about you, but by the time 10 minutes have passed, I’ve figured out the next 1.5 hours.

4) “Gone Baby Gone.”. A respectable directorial debut from Ben Affleck. More than respectable: this was a good, gripping story. It brought into sharp relief the damage self-righteous, know-it-all do-gooders can cause.

5) “The Stone Merchant”: Starring Harvey Keitel as an Italian convert to Islam for whom terrorism is a religious duty. This [is] a highly improbable tale, which also features F. Murray Abraham, Jordi Molla and Jane March.”
It’s barely passable.

6) “Rain.” An obviously obscure movie, since I am unable to find a trace of it online. And, no; it’s not this “Rain.” The “Rain” I saw was a torrid, Oedipal tale of a woman who kills her husband, and, unbeknown to her, has an affair with her … son. She resolves the latter conflict as ruthlessly as the former (husband). It’s well acted, but morbid.

7) Lakeview Terrace with Samuel L. Jackson is poor, but even poorer is our #eight, “Righteous Kill.” Robert De Niro can do no wrong in my eyes: he’s always good. Al Pacino, on the other hand, is the most overrated actor living. He can’t act, even though he has had the benefit of good roles. He bellows and screams and gesticulates and annoys the hell out of me. But you may be more patient than I with Pacino’s once-you’ve-seen-one-you’ve-seen-’em-all performances. He gives me a fat headache. The script is weak too.

Have fun.

Update (June Eighth): I must have seen “October Sky” at the same time Dan did, and had the same thoughts he expresses hereunder. It’s a true story. I loved it so much, I looked-up the title and hero at the time. The young man went on to great achievements.
There is another fine film I stumbled on in the manner Dan described. It’s with Robert Redford as a frontier man; fabulous too. Anyone recall the title? In fact, I think the Judge will find the last two films mentioned the best of the bunch.

Update II: Annual White House Sycophants’ Dinner

Barack Obama, Celebrity, Hollywood, Journalism, Politics, Uncategorized

It’s a sickening specter: some of the most pretentious, worthless people in the country—in politics, journalism and entertainment—get together to revel in their ability to petition and curry favor with one another, usually to the detriment of the rest of us.

Those gathered at the annual White House correspondents’ dinner are not the country’s natural aristocracy; but a group of people who make their living pretending to be something they are not. Poseurs and parasites.

Granted, actors do not coerce the citizenry to patronize their (mostly) lousy flicks. However, when they use their celebrity to push unconstitutional, naturally unlawful policies—then they are acting as enemies of the people.

Mostly, I find Hollywood disgusting. Every time I turn around a “celebrity” is preaching and propagandizing for the leftist cause du jour. Some of these tarts were using their tushes and other assets to tell their betters (YOU) to be good and do your “duty.”

Like nothing else, the annual White House correspondents’ dinner is a mark of corrupt politics. The un-watchful dogs of the media have no business frolicking with the president and his minions. This is co-optation. And when did the phonies of Hollywood become a fixture in this event?

The toxic “tradition” began in 1920, and, as far as I know, is sponsored by THE WHITE HOUSE CORRESPONDENTS’ ASSOCIATION. The event and the invited tell a great deal about the Association and its ethics and code of conduct.

The president’s performance was a little wooden. He had a few good lines. For example:

“I strongly believe my next 100 days will be so successful I will finish them in 72 days. And on the 73rd day I will rest.”

The dig at John Boehner’s tan: “We have a lot in common. He is a person of ­color, Although not a ­color that appears in the natural world.”

The dig at the sycophants: “Most of you covered me. All of you voted for me.”

On Rahm Emanuel on the eve of Mother’s Day: “It’s a tough holiday for [Emanuel] … He’s not used to saying the word ‘day’ after mother …”

On the other hand, this one captured how privileged Obama feels:

“Sasha and Malia aren’t here tonight because they’re grounded. You can’t just take Air Force One on a joy ride to Manhattan. I don’t care whose kids you are.”

Wanda Sykes, a talented comedian, began with some great material and then descended into vulgarity and sheer spite.

Update I (May 11): Glenn Beck gave into the temptation to join the high-flying toadies in Washington. It’s a shame; it damages this scrupulous soul’s credibility.

Written after attending the press palooza, Beck’s barbs would have rung truer had he watched the event from his bunker. For once, this is not a case of Beck bearding the proverbial lion in his den:

Glenn decided to attend the White House Correspondents’ dinner this weekend and called the atmosphere ‘slimy.’ Glenn said Obama did a good job with his delivery but was robotic, and he took issue with comedian Wanda Sykes’ routine. Typically this event serves as somewhat of a roast of the President (Imus bashing Clinton, Colbert bashing Bush) but apparently no entertainers these days know how to make fun of the Messiah, so instead Sykes made fun of Rush Limbaugh. Included in her hilarious (translate=crappy) routine were jokes about how she wished Rush’s kidneys would fail. Glenn imagines the things he can say with the new ‘kidney failure’ comedy bar set so low

Update II: Wanda Sykes’ gentle teases “ took a very ugly turn when she laid into Limbaugh.”

Update II: Annual White House Sycophants' Dinner

Barack Obama, Celebrity, Hollywood, Journalism, Politics, Uncategorized

It’s a sickening specter: some of the most pretentious, worthless people in the country—in politics, journalism and entertainment—get together to revel in their ability to petition and curry favor with one another, usually to the detriment of the rest of us.

Those gathered at the annual White House correspondents’ dinner are not the country’s natural aristocracy; but a group of people who make their living pretending to be something they are not. Poseurs and parasites.

Granted, actors do not coerce the citizenry to patronize their (mostly) lousy flicks. However, when they use their celebrity to push unconstitutional, naturally unlawful policies—then they are acting as enemies of the people.

Mostly, I find Hollywood disgusting. Every time I turn around a “celebrity” is preaching and propagandizing for the leftist cause du jour. Some of these tarts were using their tushes and other assets to tell their betters (YOU) to be good and do your “duty.”

Like nothing else, the annual White House correspondents’ dinner is a mark of corrupt politics. The un-watchful dogs of the media have no business frolicking with the president and his minions. This is co-optation. And when did the phonies of Hollywood become a fixture in this event?

The toxic “tradition” began in 1920, and, as far as I know, is sponsored by THE WHITE HOUSE CORRESPONDENTS’ ASSOCIATION. The event and the invited tell a great deal about the Association and its ethics and code of conduct.

The president’s performance was a little wooden. He had a few good lines. For example:

“I strongly believe my next 100 days will be so successful I will finish them in 72 days. And on the 73rd day I will rest.”

The dig at John Boehner’s tan: “We have a lot in common. He is a person of ­color, Although not a ­color that appears in the natural world.”

The dig at the sycophants: “Most of you covered me. All of you voted for me.”

On Rahm Emanuel on the eve of Mother’s Day: “It’s a tough holiday for [Emanuel] … He’s not used to saying the word ‘day’ after mother …”

On the other hand, this one captured how privileged Obama feels:

“Sasha and Malia aren’t here tonight because they’re grounded. You can’t just take Air Force One on a joy ride to Manhattan. I don’t care whose kids you are.”

Wanda Sykes, a talented comedian, began with some great material and then descended into vulgarity and sheer spite.

Update I (May 11): Glenn Beck gave into the temptation to join the high-flying toadies in Washington. It’s a shame; it damages this scrupulous soul’s credibility.

Written after attending the press palooza, Beck’s barbs would have rung truer had he watched the event from his bunker. For once, this is not a case of Beck bearding the proverbial lion in his den:

Glenn decided to attend the White House Correspondents’ dinner this weekend and called the atmosphere ‘slimy.’ Glenn said Obama did a good job with his delivery but was robotic, and he took issue with comedian Wanda Sykes’ routine. Typically this event serves as somewhat of a roast of the President (Imus bashing Clinton, Colbert bashing Bush) but apparently no entertainers these days know how to make fun of the Messiah, so instead Sykes made fun of Rush Limbaugh. Included in her hilarious (translate=crappy) routine were jokes about how she wished Rush’s kidneys would fail. Glenn imagines the things he can say with the new ‘kidney failure’ comedy bar set so low

Update II: Wanda Sykes’ gentle teases “ took a very ugly turn when she laid into Limbaugh.”

Updated: The More Things Change In Psychiatry, The More They Remain The Same

BAB's A List, Film, Hollywood, Pseudoscience, Psychiatry, The State

“Changeling,” directed by Clint Eastwood and starring Angelina Jolie, is a welcome surprise. I’ve never thought much of Jolie as an actress; she emotes on stage more than she does as an activist. But she may be maturing into a good performer. Jolie captures the character and the period extremely well and doesn’t overact, or introduce “You Go Girl” elements into this period piece (Los Angeles circa 1928). In short, Jolie is very good as a fragile, single mother who goes up against the profession that has always operated hand-in-glove with the state: psychiatry in all its corrupt permutations.

I am hoping to reproduce for you, on Barely a Blog, a piece BAB A-Lister Thomas Szasz wrote about the film.

Update: As promised:

The Therapeutic State
Psychiatry: The Shame of Medicine
by Thomas Szasz

The practice of medicine rests on cooperation and the ethical-legal premise that treatment is justified by the patient’s consent, not his illness. In contrast, the practice of psychiatry rests on coercion and the ethical-legal premise that treatment is justified by the mental illness attributed to the patient and must be “provided” regardless of whether the patient consents or not. How do physicians, medical ethicists, and the legal system reconcile the routine use of involuntary psychiatric interventions with the basic moral rule of medicine, “Primum non nocere,” a Latin phrase meaning “First do no harm”?

The answer is: by the medicalization of conflict as disease, and coercion as treatment. Carl Wernicke (1848-1905), one of founders of modern neuropathology, observed, “The medical treatment of [mental] patients began with the infringement of their personal freedom.” Today, it is psychiatric heresy to note, much less emphasize, that psychiatry-as-coercion is an arm of the punitive apparatus of the state. Absent the coercive promise and power of mental health laws, psychiatry as we know it would disappear.

Ever since its beginning approximately 300 years ago, psychiatry’s basic function has been the restraint and punishment of troublesome individuals justified as hospitalization and medical care. For two centuries, all psychiatry was involuntary psychiatry. A little more than 100 years ago individuals began to seek psychiatric help for their own problems. As a result, the psychiatrist became a full-fledged double agent and psychiatry a trap. The film “Changeling”–written by J. Michael Straczynski and directed by Clint Eastwood–is a current example.

The story, set in Los Angeles in 1928, is said to be the “true story” of a woman, Christine Collins, whose son, Walter, is kidnapped. The police are corrupt, and little effort is made to find Walter. Months pass. To repair its damaged image, the police decide to stage a reunion between an abandoned youngster pretending to be Walter and his mother, played by Angelina Jolie. Unsurprisingly, she realizes that the fake Walter is not her son. After confronting the police and city authorities, she is vilified as an unfit mother, branded delusional, and incarcerated in a “psychopathic ward,” where she is subjected to the brutalities of sadistic psychiatrists and nurses, and watches fellow victims being punished by electric shock treatment–ten years before its invention. So much for the truth of the story.

Clueless about the true nature of the psychiatric terrorization to which the Jolie character is subjected, film critic Kirk Honeycutt praises Clint Eastwood who “again brilliantly portrays the struggle of the outsider against a fraudulent system. . . . ‘Changeling’ brushes away the romantic notion of a more innocent time to reveal a Los Angeles circa 1928 awash in corruption and steeped in a culture that treats women as hysterical and unreliable beings when they challenge male wisdom.’”

The Jolie character does not simply challenge “male wisdom.” Instead, her actions illustrate the insight of the Hungarian proverb, “It is dangerous to be wrong but fatal to be right.” The psychiatrist as brutal agent of the state enters the story only after the mother proves–by securing the testimony of her son’s teacher and dentist–that “Walter” is an impostor. The psychiatrically incarcerated individual’s greatest crime–for which psychiatrists cannot forgive her–is that she is innocent of lawbreaking and objects to being deprived of liberty.

Psychiatric coercion is medicalized terrorism. So-called critics of psychiatry–who often fail or refuse to distinguish coerced from contractual psychiatry–are unable or unwilling to acknowledge this disturbing truth. As a result, the more things change in psychiatry, the more they remain the same, as the following conveniently forgotten example illustrates.

On May 21, 1839, Elizabeth Parsons Ware (1816-1897) married the Reverend Theophilus Packard. The couple and their six children resided in Kankakee County, Illinois. After years of marriage, Mrs. Packard began to question her husband’s religious and pro-slavery beliefs and express opinions contrary to his. In 1860 Mr. Packard decided that his wife was insane and proceeded to have her committed. She learned of this decision on June 18, 1860, when the county sheriff arrived at the Packard home to take her into custody. The law at the time stated that married women “may be entered or detained in the hospital [the Jacksonville State Insane Asylum] at the request of the husband of the woman or the guardian . . . without the evidence of insanity required in other cases.”

Mrs. Packard spent the next three years in the Asylum. In 1863, due largely to pressure from her children who wished her released, the doctors declared her incurable and released her. Mrs. Packard stayed close to her children, retained their support, founded the Anti-Insane Asylum Society, and published several books, including Marital Power Exemplified, or Three Years Imprisonment for Religious Belief (1864) and The Prisoners’ Hidden Life, Or Insane Asylums Unveiled (1868).

The Beginning, Not the End
Little did Mrs. Packard realize that she was living at the beginning, not the end, of the Psychiatric Inquisition. Today, “inquiry” into the minds of unwanted others is a pseudoscientific racket supported by the therapeutic state. Millions of school children, old people in nursing homes, and persons detained in prisons are persecuted with psychiatric diagnoses and punished with psychiatric treatments. Nor is that all. Untold numbers of Americans are now psychiatric parolees, sentenced by judges–playing doctors–to submit to psychiatric treatment as so-called outpatients, or face incarceration and forced treatment as inpatients.

The subtext of films such as “Changeling” is always subtle psychiatric propaganda seeking to make people believe they are witnessing past “psychiatric abuses.” The truth is that every new psychiatric policy or practice labeled an “advance” is a step toward making psychiatric deception and brutalization more legal and more difficult for the victim to resist. As I write this column, I learn from an “antipsychiatry” website that a man named Ray Sandford is being subjected to court-ordered outpatient electroshock treatment.
“Each and every Wednesday, early in the morning, staff shows up at Ray’s sheltered living home called Victory House in Columbia Heights, Minnesota, adjacent to Minneapolis. Staff escorts Ray the 15 miles to Mercy Hospital. There, Ray is given another of his weekly electroconvulsive therapy (ECT) treatments, also known as electroshock. All against his will. On an outpatient basis. And it’s been going on for months.”

As the forced psychiatric treatment of competent adults living in their own homes becomes the “standard of medical practice,” the failure to provide such betrayal and brutality becomes medical malpractice. In a democracy people are said to get the kind of government they deserve. In a pharmacracy they get the kind of psychiatry they deserve.

Thomas Szasz (tszasz@aol.com) is professor of psychiatry emeritus at SUNY Upstate Medical University in Syracuse. His latest books, both from Syracuse University Press, are The Medicalization of Everyday Life: Selected Essays and Psychiatry, The Science of Lies.