Category Archives: Aesthetics

Updated: Exporting Soft Porn

Aesthetics, America, China, Family, Morality, Pop-Culture, The Zeitgeist

A great deal of carping goes on about the crap China exports to us (by popular demand). Very little is said about the sh-t we ship over there. Here Glenn Beck reports on the little American Lolitas, courtesy of Disney, who help sell sexy underwear to China’s children.

Beck describes (and later shows on screen) a

“White girl, 12 years old, reclining in a matching bra and panties set with Disney’s signature mouse ear design in a particular creepy detail, the pigtailed child is playing with a pair of Mickey Mouse hand puppets. In the left-hand corner is the familiar script of a Disney logo.”

The child sports cleavage which might have been enhanced digitally.

The Chinese should give Americans a hard time over this.

American children appear to be party to a very sexual vibe cultivated in sexually inappropriate family interactions and nurtured at schools. Watch any Hollywood film and you see girls being overtly sexual with their dads and vise versa.

(Why do so many American parents kiss their kids on the mouth? Absolutely inappropriate. Why do so many parents let their daughters walk around looking like “pint-sized tarts”?)

As an example, consider the Vanity Fair Miley Cyrus photo, where the girl, in various states of undress, nestles in the arms of father Billy Ray Cyrus, and looks up at him seductively. Major creep-out.

When I was growing up the instinct was to try and stay a little girl a little longer—especially around dads.

To be honest, a country exporting cheap electronics has a leg up on a country that peddles porn, don’t you think?

In case libertarians get confused, as they are wont to do, between cultural commentary and libertarian legal theory—of course peddling porn, soft and hard, ought to remain legal. The law should stay out of all voluntary exchanges between consenting adults.

Update (May 6): I must admit that, although I’ve never watched the program “Hanna Montana,” the girl Miley strikes me as anything but sweet and innocent. Perhaps my idea of nice is different. The Cyrus girl is loud, overbearing and extremely precocious. For such a twit, she’s also full of herself. The little I’ve seen of the “family” doing its wholesome-values shtick, the more they’ve struck me as shallow and showy, not wholesome. Then again, I’ve not had the chance to plumb the depths of “Hanna Montana” and her handlers.

Whenever the Fox-News folks have oozed over the wholesomeness of this girl is and then cut to actual footage of Cyrus carrying forth—my impression has been the opposite. When I think of wholesome (and as pretty as a picture), I think Martina McBride.

As to the whole blame Dad and Disney thing, I’ve expressed my views before: “The paternalistic depiction of women as passive agents, demeaned by male-driven appetites, is a humbug shared by conservatives and liberals alike.”

Cyrus may be 15, but she’s a single-minded exhibitionist, propelled and driven by the fame thing. In all likelihood, she originated the idea of posing for Vanity Fair and would not stop pestering her pappy until he relented. Anyone who has a teenager and handles her as does the typical American parent—like a demigoddess—knows I’m right.

Those who persist in the poor-teen-is-a-victim routine don’t have children. Or are oblivious to the reversal in parent-child roles that has come to typify the dynamics in the American family.

Oscar Offal

Aesthetics, Film, Hollywood, Pop-Culture, The Zeitgeist

I haven’t seen any one of the films nominated, so I’ll withhold judgment. I’m curious about what appears outwardly to be a thriller, “No Country for Old Men.” Although it’s not impossible, knowing Hollywood’s devotion to the Goddess Gaia, that it’s a disguised message about global warming.

I’m certainly not likely to put myself through a “sensitive” flick that deals with teen turmoil. “Juno” was written by Hollywood’s latest IT girl. You know Diablo Cody is an authentic individualist, at least as defined by Hollywood hollow heads and public school pedagogues. Her “originality” is evident from her outré sense of dress, tattoos, and the knack for spluttering mind-numbing clichés. She also speaks in that Anna-Marie-Cox (Wonkette) inflection used in commercials directed at the cool crowd that reads the New York Times.

Marion Cotillard: a delightful French singer/actress who portrayed Edith Piaf in “La Vie En Rose.” Not my idea of a fun film, but the lady was delightful and was dressed ever-so elegantly. How long before she gets skankified? Make haste, Marion, go back to France.

All the hype about red gowns, notwithstanding, no one but Heidi Klum can carry off bright red. Klum is indeed a ravishing beauty, but she’s looking like a “Muselmann”—her total weight must equal the weight of her bones.

Cameron Diaz: The John Galliano frock did not finesse those flat, coarse features and thick leathery skin. All in all, the off-the-shoulder look requires perfect neck-jaw-bosom line. Although I don’t much care for Cruz, Penélope’s off-the-shoulder black number did it for me; she looked lovely. The dress didn’t plunge, but had been softened with a few fluffy plumes. Bedsides which she has the slight build to pull it off.

I am none the wiser about the silly, slushy movie “Enchanted” and its stars, but I’ll say this much about Amy Adams, who ever she is: The reddish locks, white flawless skin, and greed gown made for a beguiling blend.

Not well turned-out was Daniel Day-Lewis in gold pirate earring and a carefully disheveled coiffe. He is compared to Robert De Niro, but the latter is as manly as you get. A good actor too.

This here is a photo of a very great beauty. Here Julie Christie is again. This here is a photo of someone who is not a great beauty: The large, manly, expanses of forehead, the stupid smile, and the less-than-chiseled jaw. The eyes are more cow-like than captivating. It’s fine to find this common Hispanic look attractive, but it isn’t beautiful.

America’s idea of beauty now resembles its idea of good food; cheap and nasty.

The less said about Nicole Kidman the better. I liked her when her hair flowed in red ringlets, her blue eyes pierced, and her lips were thin. I tried to locate photos of Kidman before her make-over, but my PC was mysteriously assailed, and, subsequently crashed. Seriously, it’s impossible to find old images of the woman on the Internet. Oh, here are some from Malice.

Her acting too has become awfully affectatious. I watched Kidman in “Birth” (on TV; I’d never pay to see that bit of torture) with the fascination with which you’d watch maggots crawl in and out a CSI corpse. She was repulsive: she must have just had her mouth inflated, because she wouldn’t stop working it—the drooling thing assumed a life of its own. The object of her spittle was a ten year old boy—yeah, I know.

Lastly, Jon Stewart was rather weak.

Updated: The Magic Of MacNeice

Aesthetics, Art, English, Literature, The West

Beauty is the best antidote to politics, my daily drudgery. The poetry of Louis MacNeice is a salve for the soul. It inoculates against the Maya Angelou bastardizations. (She was court poet to the Clintons.)

From “Louis MacNeice From Cradle to Grave“:
The final poem in Louis MacNeice’s collection Plant and Phantom (1941) is the lyric, “Cradle Song”:

Sleep, my darling, sleep;
The pity of it all
Is all we compass if
We watch disaster fall.
Put off your twenty-odd
Encumbered years and creep
Into the only heaven,
The robbers’ cave of sleep.

The wild grass will whisper,
Lights of passing cars
Will streak across your dreams
And fumble at the stars;
Life will tap the window
Only too soon again,
Life will have her answer –
Do not ask her when.
When the winsome bubble
Shivers, when the bough
Breaks, will be the moment
But not here or now.
Sleep and, asleep, forget
The watchers on the wall
Awake all night who know
The pity of it all.

Update: Please people, this post was about transcendence. I mean, I’m no poetry expert, but I know beauty when I read it. That’s why I like MacNeice. So I beg of our reader hereunder, spare me mumbo-jumbo. Give us “Snow,” rather, will you, please?

Updated: Ilana In the Shower Sean Built

Aesthetics, Ancient History, Ilana Mercer, Israel

Here I am in the guest shower Sean built from scratch. (The link can be followed from the “Mercer Images” page.)
My choice of tiles was inspired by the ancient city of Caesarea in Israel, adjacent to the small village in which I grew up. Caesarea is a Roman city. It was built by Herod. Dusty blues, faded golds, luminescent whites—these are all colors one can find in the mosaics and marbles of this magnificent place.
You can read more about my inspiration here, and here. Or search the Internet for better visuals. The modern development is sheer luxury.
Click on the right-hand of the jpeg to enlarge.
This is Sean’s first tiling job (he thinks it’s his last, but I have news for him). It’s immaculate. (Is there anything this guy can’t achieve?!)
Have a Happy New Year.

Update #I: Due to the interest generated, here’s a wider angle on Sean’s handiwork.