Category Archives: Hollywood

‘Ow My Balls!’

America, Critique, Hollywood, Pop-Culture, Pseudo-intellectualism, Sport

The satire “Idiocracy” predicted that in 2505, the age of the idiot, America would be enthralled by one of two seconds-long “films.” The first is “Ow my Balls!”

The Age of the Idiot, however, is already upon us. Witness the endless, empty, obsessive yakking about deflated footballs. For heaven’s sake, order a rematch between the alleged offenders, the New England Patriots, and the Indianapolis Colts. Check and store the balls before every future match. Case closed. There is good reason for calling “Idiocracy” a documentary—except that The Age of the Idiot is upon us:

To fully appreciate what afflicts America—the people, the presidency, the academy, the media, Hollywood—watch “Idiocracy.” The film is a product of Mike Judge’s genius (Beavis and Butthead, anyone?), and was backed and then spiked by the idiots at 20th Century Fox. It is easily one of the smartest and darkest satires.
Luke Wilson plays Joe Bowers, frozen by the military in 2005, “who accidentally wakes up in 2505 to find a broken-down, thuggish America where language has become a patois of football chants, hip-hop slang and grunts denoting rage, pleasure and priapic longing, where citizens are obese, violent, ever-horny and narcotised by consumerism,” to quote the Guardian.
The “dumb-ass dystopia” depicted in “Idiocracy” has evolved because the robust retarded have out-bred the intelligent (yes, Judge openly references IQ as a measure of intelligence). Consequently, nothing gets fixed. There are garbage avalanches. A Gatorade-like drink has replaced water for irrigation, so nothing grows. The most watched show on the “Violence Channel” is “Ow, My Balls!” The “highest grossing movie of all time is called ‘Ass,’ and consists of 90 minutes of the same naked, hairy butt on screen.” All enterprises are sexualized; Starbucks offers a “full body latte.” Costco is an Ivy-League law school. If you’ve watched Ann Coulter trying to explain to Bill O’Reilly what a syllogism is, you’ll appreciate “Idiocracy” for the cultural barometer it is.

From “2 Movie Gems Amid A Lot Of Hollywood Hooey.” (July 2007)

UPDATE II: The ‘Selma’ Or ‘Sniper’ No-Brainer

Affirmative Action, Film, History, Hollywood, Just War, Military, Race

“Sniper” Or “Selma”? Which flick would you rather see? I will pass on both. However, if forced to choose between a 2-hour long, historically inaccurate guilt trip, laid on thick by the MOPE (Most Oppressed People Ever), and an action movie about an all-American “son, husband, father, and, most of all, decorated military man”; I can see why “American Sniper” is a box office sensation, while “Selma” circles the drain. “Sniper” grossed $105.3 Million on the week-end of its release; “Selma” $11.5 million.

Navy SEAL Chris Kyle, the subject of the “Clint Eastwood’s biopic,” in my opinion, squandered his talents as an assassin for Uncle Sam. Kyle’s claim to fame, by the news media’s telling, is that he “held the record for number of kills by an American sniper. The Pentagon has confirmed more than 150 of his kills. The previous record was 109.”

As I wrote at the time the SEAL passed away, “live by the sword, die by the sword. Or in hippie speak: Kyle had bad karma.”

I’m quite comfortable stating that poor Kyle was not in the business of defending American liberties, as the mouths on neoconservative media insist. That the war over in Iraq saved lives stateside is a dubious proposition at best. To the contrary, there is more proof of the opposite; that picking off women and children and other invaded species, “when he [thought it] necessary,” increased the danger to Americans stateside from the victims’ community. (Unfriend and unfollow me all you like; that doesn’t change this immutable truth.)

Still, if “American Sniper” is an apolitical rendition, a human story about a controversial, conflicted assassin for the state—much like “The Hurt Locker” was—I can see the appeal.

UPDATE I: A day after I wrote “Live By The Sword, Die By The Sword” (02.03.13), Ron Paul tweeted out the same (02.4.13). He was denounced, of course.

UPDATE II: Writes pat Buchanan, in “Selma, 50 years on”: … “The era of marching for civil rights was over, and the era of Black Power, with Stokely Carmichael, Rap Brown and The Black Panthers eclipsing King, had begun.”

The Fourth Estate (Media) Moving Country Into Third Dimension

Hollywood, Journalism, Media, Neoconservatism, Objectivism, Technology

Being part of major US media—the Fourth Estate—means moving into a Third Dimension of your own making and taking the country with you. What was it that the Bush neoconservative Karl Rove once asserted at the heights of that regime’s manipulation of reality?

“We’re an empire now, and when we act, we create our own reality. And while you’re studying that reality—judiciously, as you will—we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors … and you, all of you, will be left to just study what we do.”

As was suggested over these pixelated pages, the “Hollywood hack hysteria” was a media event, not a journalistic investigation, as all news reporting should be. Accordingly, “the moron media shared speculations but not much credible evidence as to the source of the hack.”

It was left to an unconventional citizen-journalist-cum-blogger using conventional journalistic methods to uncover Jonathan Gruber’s utterances. Ditto the Sony hack attack. A blog called North Korea Tech by Martyn Williams did the digging. It

details inconsistencies in the Sony attack and past attacks by North Korea.
“Computers at Sony displayed a message threatening the release of internal documents if undisclosed demands were not met. North Korean hackers have never made such public demands,” Williams writes.
He also notes that little is known about Guardians of Peace, the group that claimed responsibility for the attack. No group has claimed credit in past North Korean hacks.
Williams said that the hackers stole sensitive information about movie stars, staff, and Sony management. In an apparently personal attack, the hackers posted a message on the Twitter accounts of Sony employees. This gives credence to the growing theory that the attack was an inside job.
Tommy Stiansen, the chief technology officer for Norse, a hacker-tracking company, told Bloomberg that he plans to approach the FBI and Mandiant, the private company researching the attack, with information that implicates a disgruntled Sony employee in Japan in the attack.

MORE.

Hollywood Hack Hysteria

Film, Free Speech, Hollywood, Private Property, Technology, Terrorism

From their citadels of stupidity, the US mainstream media went into full St. Vitus mode over an attack by hackers on Sony Pictures. The Apoplectic Press tell those they gull on a daily basis that North Korea is behind the hack, “which,” by BBC News’ more measured report, “exposed embarrassing emails and personal details about some of the world’s biggest movie stars,” escalating “after the supposed hackers made threats against cinemas showing the film.”

The moron media have shared speculations but not much credible evidence as to the source of the hack. Still, the president and his press corp assure everyone, no evidence required, that the crazy communist regime is the culprit: “US media quoted anonymous officials as saying that the FBI had linked North Korea to the attacks.”

Well, that settles it, now doesn’t it?!

It’s quite possible, maybe likely, that North Korean hackers were set loose on Sony Pictures and employees for the impending release of the “satirical comedy The Interview, which involves a plot to assassinate North Korean leader Kim Jong-un.” But the onus is on the moron media to present the evidence.

The film’s New York premiere was cancelled and cinema chains cancelled screenings, leading Sony to announce that it had “decided not to move forward with the planned December 25 theatrical release”.

No great cultural loss. The same can be said of the decision by the Sony cowards to cancel the screening of yet another five of their crap products, among these Black Annie, a concept almost as alien as a white Kunta Kinte (of Roots fame).

So can anyone tell me what the histrionics are all about? Aren’t there clever, calm ways by which smart Americans can ward off hack attacks?