‘Slavery Is The Price I Paid For Civilization’

Intellectualism, Old Right, Paleoconservatism, Paleolibertarianism, Political Correctness, Race, Racism

The words in this post’s title were spoken by “famed black writer” Zora Neale Hurston. She was “what today we are inclined to call a ‘paleoconservative’ or ‘paleolibertarian,’” who was “born in the early 1890s in the lower South.”

Thanks to Jack Kerwick’s profile of Zora Neale Hurston, timed for Black History Month, we know something about this brilliant (black) member of the Old Right.

Hurston resented the efforts made by black and white intellectual alike to make of black Americans a new proletariat, a victim class perpetually in need of an all-encompassing national government to ease the “lowdown dirty deal” that “nature has somehow given them.” Hurston was adamant that she was “not tragically colored.” She insisted that “no great sorrow” lies “damned up in my soul, lurking behind my eyes,” and she placed a world of distance between herself and “the sobbing school of negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are hurt about it.”
For what contemporary black commentator Larry Elder refers to as the “victicrats” among us, Hurston had zero use. “Someone is always at my elbow reminding me that I am the granddaughter of slaves,” she remarked. Much to their chagrin, though, “it fails to register depression with me.” Furthermore, she stated bluntly that “slavery is the price I paid for civilization.”
Our increasingly joyless generation is oblivious to another of Hurston’s insights: A sense of humor can bear most, if not all, painful things. Regarding racial discrimination, she noted that while she “sometimes” feels “discriminated against,” she does not get “angry” about it. Rather, the experience “merely astonishes me,” for how, Hurston asks, “can any deny themselves the pleasure of my company? It’s beyond me.”

… Pearls before swine.

MORE.

Today, ‘The Americans’ Would Be Ordinary In Their Un-Americanness

Aesthetics, Communism, Feminism, Film, Hollywood, Left-Liberalism And Progressivisim, Pop-Culture

“A simple morality tale—and one conservatives should especially relish. … an unalloyed cheer for America … hagiography of the Gipper … Paranoid thriller … a staple of the Cold War and War on Terror life. …” That’s the left’s take on “The Americans,” a new “FX anti-Soviet drama.”

Writes National Journal’s Matthew Cooper:

In The Americans, there’s none of that, just a celebration of American values. Phil considers defecting to America, which he lauds in cheeky but sincere tones. “The food’s pretty terrific. There’s plenty of closet space.” We like the Soviet spies only because they were created by a monstrous totalitarian system and are struggling to break out. (Elizabeth was not only programmed to be a spy but was raped during her training.) Keri Russell was given her start in the chick drama Felicity by J.J. Abrams, and he cast her Mission: Impossible III, where she showed her high-kick bona fides.
By contrast, the America of the Gipper is free, recognizes the Soviet threat, and is even progressive. Beeman has a minority FBI agent partner, Chris Amador (Maximiliano Hernandez), who offers proof that the FBI is dropping is crew-cut ways and becoming less cloistered, and the show notes that “there are only like two or three of them so they can’t get fired.”

As readers know, not for me are today’s chick-centric action dramas, where, “With enough will-power, an 80-pound waif will wallop a 200-pound gangster, sustaining no punctures to the silicone sacks. Her hulking cop partner is made to trot after the Great Woman obediently, stepping in to save the day only when crime and firefighting are impeded by stilettoes on the job, and a lack of physical prowess .. all in the tradition of the men-are-buffoons; women-are-brawny-and-brainy narrative…”

I am unable to become engrossed in such a parallel universe.

Hollywood had its Golden Age, back when well-written scripts reflected well-developed, multi-faceted characters. Today, Tinseltown is a monolithic, left-liberal automaton, marching in thematic unison, and subjecting the viewer to the same impoverished, error-riddled, preachy themes.
The evidence is in. Activism and abreaction have replaced acting, and sermons have supplanted stories in the repertoire of the pretty, pea-brained community.
A giant digit wagging above a captive audience: that’s Hollywood.

While, National Journal is correct that the series is “cartoony and a bit cheap,” and, “In its Manichaean view of the world, more like World War II movies than the nuanced thrillers of the postwar era”—it’ll hold the attention of conservatives, more so because it depicts a much happier America, one (oddly, apparently, to NJ) still dominated by the much-maligned (small “m”) moral majority.

However cute, Keri Russell, however, has an all-American look. She does not resemble a Russian beauty. The Slavic women—perhaps the most beautiful in the world—look nothing like the all-American Russell.

Milla Jovovich would have fit the mold.

The Rise of The Cr-ppy Chris Christie

Ann Coulter, Celebrity, Economy, Elections, Ethics, Free Markets, IMMIGRATION, Morality, Pop-Culture, Private Property, Republicans

“The Rise of The Cr-ppy Chris Christie” is the current column, now on WND. Here is an excerpt:

“Chris Christie’s problem is not his weight, but his character. New Jersey’s popular Republican governor is the consummate backstabbing, slimy, opportunistic politician, who, for good measure, also preaches and practices the dirigiste economics of an Obama (and a “W”).

Gov. Christie is in the news a lot lately, which is just the way he likes it—and the way he has planned it. To say that Mr. Christie hungers for the plum post of US president is a redundancy on par with, “Is the Pope Catholic?”

The governor is no boob, but he knows how to handle boobs, a requirement of public office. And one crucial question Booboos Americanus asks himself when electing a president is whether he’d like to knock back a Guinness with the candidate. A doughnut is as good as a beer.

So on the “Late Night Show” went Christie for a cameo. There he squeezed into a studio seat too small for his girth and humored the hubris sitting opposite him, while scarfing down a doughnut.

Befitting a nation that considers wisdom and intellect as liabilities—cretin celebrities will carry the day in the 2016 presidential run, as they do today. Visibility on late night TV is a requirement of the highest office.

Launched by the Queen of Kitsch, day-time talker Oprah Winfrey, Barack Obama has normalized the cultural carnival that sees a president cavorting with dummies like Dave Letterman and the ladies of “The View.” He now sits at 1600 Pennsylvania Avenue, where Chris Christie would dearly like to plunk his keister.

Like his predecessor, the next president will need the imprimatur of entertainers with canonical status. “The road to the White House goes through this chair,” a semi-serious David Letterman warned Republican presidential pick Mitt Romney. Romney had flouted the Letterman commandment. Where is he today? On the ash-heap of history.

Another chrysalis within which the American presidency takes shape is the liberal media. And it loves Chris Christie, holding him up as a paragon of the rudderless Republican the GOP ought to be running.

This wasn’t always the case…”

Read the complete column, “The Rise of The Cr-ppy Chris Christie,” now on WND.

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Sen. Graham: ‘Not Fair to Let President Get Hit.’ But What About The Drone’s Victims?

Barack Obama, Homeland Security, Justice, Law, Technology, The Courts, War, WMD

Bloodthirsty neoconservative Lindsey Graham, the South Carolina Republican Senator, supports President Obama’s drone policy, which, as I noted on 02.05.13, is being debated only because of the very public confirmation hearings for John Brennan, President Obama’s nominee to head the Central Intelligence Agency.

“Sen. Graham says it’s not fair to leave the president out there on his own while he’s getting hit from libertarians and the left,” reports MSNBC’s Chris Matthews.

I guess it’s fair to leave kids like little Shakira to brave the cowardice of Uncle Sam’s Assassin. As you see, not much remains of the child’s small, charred face.

The Los Angeles Times concedes that it is time “to press the architect of the administration’s policy of targeted killings about its legal rationale and practical application.”

…the document espouses a “broader concept of imminence” in which a suspect can be killed even when the U.S. government lacks “clear evidence that a specific attack on U.S. persons and interests will take place in the immediate future.” Another passage suggests that the determination of whether there is an “imminent” threat can take account of the fact that certain Al Qaeda members are “continually plotting attacks against the United States.”

Despite the horror of the concept of “Targeted killings”—and the violation of 4th and 5h amendment safeguards—the LA Times posits the need only to “limit” rather than “eliminate” this barbarism.