The Fourth Estate (Media) Moving Country Into Third Dimension

Hollywood, Journalism, Media, Neoconservatism, Objectivism, Technology

Being part of major US media—the Fourth Estate—means moving into a Third Dimension of your own making and taking the country with you. What was it that the Bush neoconservative Karl Rove once asserted at the heights of that regime’s manipulation of reality?

“We’re an empire now, and when we act, we create our own reality. And while you’re studying that reality—judiciously, as you will—we’ll act again, creating other new realities, which you can study too, and that’s how things will sort out. We’re history’s actors … and you, all of you, will be left to just study what we do.”

As was suggested over these pixelated pages, the “Hollywood hack hysteria” was a media event, not a journalistic investigation, as all news reporting should be. Accordingly, “the moron media shared speculations but not much credible evidence as to the source of the hack.”

It was left to an unconventional citizen-journalist-cum-blogger using conventional journalistic methods to uncover Jonathan Gruber’s utterances. Ditto the Sony hack attack. A blog called North Korea Tech by Martyn Williams did the digging. It

details inconsistencies in the Sony attack and past attacks by North Korea.
“Computers at Sony displayed a message threatening the release of internal documents if undisclosed demands were not met. North Korean hackers have never made such public demands,” Williams writes.
He also notes that little is known about Guardians of Peace, the group that claimed responsibility for the attack. No group has claimed credit in past North Korean hacks.
Williams said that the hackers stole sensitive information about movie stars, staff, and Sony management. In an apparently personal attack, the hackers posted a message on the Twitter accounts of Sony employees. This gives credence to the growing theory that the attack was an inside job.
Tommy Stiansen, the chief technology officer for Norse, a hacker-tracking company, told Bloomberg that he plans to approach the FBI and Mandiant, the private company researching the attack, with information that implicates a disgruntled Sony employee in Japan in the attack.

MORE.

UPDATED: A Sad Christmas Story (Letter From Assistant Director Of ACS)

Christianity, Crime, Family, Film, Ilana Mercer, IMMIGRATION

“A Sad Christmas Story” is the current column, now on WND. An excerpt:

Described by a critic as “one of those rare movies you can say is perfect in every way,” “A Christmas Story,” directed by Bob Clark, debuted in 1983.

Set in the 1940s, the film depicts a series of family vignettes through the eyes of 9-year-old Ralphie Parker, who yearns for that gift of all gifts: the Daisy Red Ryder BB gun.

This was boyhood before “bang-bang you’re dead” was banned; family life prior to “One Dad Two Dads Brown Dad Blue Dads,” and Christmas before Saint Nicholas was denounced for his whiteness and “merry Christmas” condemned for its exclusiveness.

If children could choose the family into which they were born, most would opt for the kind depicted in “A Christmas Story,” where mom is a happy homemaker, dad a devoted working stiff, and between them, they have zero repertoire of progressive psychobabble to rub together.

Although clearly adored, Ralphie is not encouraged to share his feelings at every turn. Nor is he, in the spirit of gender-neutral parenting, circa 2014, urged to act out like a girl if he’s feeling … girlie. Instead, Ralphie is taught restraint and self-control. And horrors: The little boy even has his mouth washed out with soap and water for uttering the “F” expletive. “My personal preference was for Lux,” reveals Ralphie, “but I found Palmolive had a nice piquant after-dinner flavor—heady but with just a touch of mellow smoothness.” Ralphie is, of course, guilt-tripped with stories about starving Biafrans when he refuses to finish his food.

The parenting practiced so successfully by Mr. and Mrs. Parker fails every progressive commandment. By today’s standards, the delightful, un-precocious protagonist of “A Christmas Story” would be doomed to a lifetime on the therapist’s chaise lounge—and certainly to daily doses of Ritalin, as punishment for unbridled boyishness and day-dreaming in class. Yet despite his therapeutically challenged upbringing, Ralphie is a happy little boy. For “Progressives”—for whom it has long been axiomatic that the traditional family is the source of oppression for women and children—this is inexplicable.

Perhaps the first to have conflated the values of the bourgeois family with pathological authoritarianism was philosopher Theodor Adorno. …

… Read the complete column. “A Sad Christmas Story” is the current column, now on WND.

UPDATE (12/28): A Treasured Letter From Assistant Director of “A Christmas Story.”

Hi Ms. Mercer,

I want to thank you for the article you wrote on “A Christmas Story”. Bob would have really loved your opening paragraph.

My name is … I was a friend of Bob’s in addition to being his 1st Assistant Director on most of his movies, including “A Christmas Story” and “Porky’s.

Both Bob and Jean Shepard had “Jewish” sensibilities and there were plenty of the tribe working on the set and in the executive substructure.

In fact, the sign of the Chinese restaurant that the Parker’s went to was called Bo Ling. I mention this because the name of that restaurant was Bob’s recognition of my MOTHER’s contribution to his career.

The story of Bo ling occurred when my family was driving from NY to south Florida in 1961. It was getting late and we were all hungry when my mother shouted that there was a Chinese Restaurant at the next exit. Dad pulled off and as we drove up to the building we all realized that there was no restaurant but a bowling alley with the neon light of the “L” was not lit, hence Bo ling was later immortalized in the movie.

The only critical point that I would make is I think you should have mentioned that Bob and Arial were killed by a drunk driver, who happened to be an illegal alien. [

Again, I really enjoyed reading your article. Even after all these years it is still in the public consciousness and Bob would have loved that too.

REPLY:

Dear KG,

This note means a great deal; it’s of historic significance.

Thanks for the pointer against my point on illegality. Here is my counter to it, excerpted from an older article:

Bob Clark, director of one of the most delightful films ever made, “A Christmas Story,” and his 24-year-old son were both killed by a drunk, unlicensed, allegedly illegal alien. Geraldo and Jacoby, the teletwits of amnesty, both asserted that the illegality of the perp is irrelevant to the crime. “It’s not an illegal alien story; it’s a drunk driving story,” Geraldo noodled on “The Factor.”
Geraldo was serious, although he should not be taken seriously. So here’s my next question: For the Geraldo/Jacoby crushingly stupid claim to stick, they would have to demonstrate that had this drunk, illegal alien been stopped at the border or been deported, his victims would have nevertheless suffered the same fate.

Thus illegality matters to this story of lives lost. Had the Overlords in DC not facilitated the unleashing of this illegal individual, Bob and his son would be alive, at least on that day.

Warm regards,
I.

‘Cromnibus’ And Other Unrepublican (Small ‘r’) Crappiness

Conservatism, Constitution, Debt, Federalism, IMMIGRATION, The Courts

Nothing much at all remains of the original, American constitutional scheme, which was supposed to respect process above all, but is now result-oriented. Andrew McCarthy examines “last week’s “cromnibus” debacle” as well as the decision, Tuesday, of “a federal court in Pittsburgh—it “ruled that Obama’s amnesty decree is unconstitutional”—only to conclude that,

Imperious judicial activism is no better than imperious executive overreach. That the result the judge reaches happens to accord with conservative sentiments does not make the exercise any less invalid. After all, what offends conservatives about President Obama’s machinations is his disregard for the Constitution’s limits on his authority. Judge Schwab, analogously, has run roughshod over constitutional boundaries that limit the exercise of judicial authority. The Constitution empowers judges to resolve only cases and controversies that are actually before the court. In this case, President Obama’s decree was not before Judge Schwab — at least until he gratuitously directed the parties, who had not raised it, to address it.

These two cases are simply standard operating procedure for a Congress and a judiciary engaged in habitual, unpardonable transgressions. McCarthy’s is a good analysis, however, he should not be scandalized about business as usual in America’s highly centralized, politicized, mobocracy.

MORE McCarthy.

The Dynamics Of Media Moral Inversion

Media, Morality, Propaganda, Race, Racism

On the one hand, there’s Brooke Baldwin. She’s a CNN bimbo, not as bad as a Fox News issue—the spandex swaddled Gretchen Carlson comes to mind—but nevertheless a prototype airhead, on the air for her looks. Brooke’s brief at CNN is the enforcement of progressivism, the deconstruction of conventional news broadcasting and morality.

On the other hand, you have Charles Barkley, “basketball analyst for Turner Sports and former NBA great.” He’s no philosopher king, but high concentrations of cutaneous melanin have qualified him to be a philosopher king in contemporary America.

Barkley called the Ferguson rioters “scumbags,” a perfectly reasonable descriptive for “the rioters who set buildings and police cars on fire in Ferguson,” not to mention murdered a cracker or two.

In the universe Brooke brings to her CNN viewers, berating black looters and murderers is controversial, a position that requires “defending,” or so she framed here interview with Barkley:

“Charles Barkley defends calling Ferguson rioters ‘scumbags.’”

Dr. Ben Carson, a self-made man who has never relied on race to excel, has no problem articulating immutable moral truth: “The Community Has to Recognize That a Thug Is a Thug.”