Category Archives: Argument

UPDATE III (4/9): NEW COLUMN: The Wussification Of The West: Will We Ban Shakespeare For Othello And Shylock?

Argument, Comedy & Humor, Conservatism, Education, English, Free Speech, Left-Liberalism And Progressivisim, Literature, Race, Racism, The West

The The Argument from Freedom means arguing process, not content.–ilana

NEW COLUMN IS either “The Wussification Of The West: Will We Ban Shakespeare For Othello And Shylock?” Or, “How Tucker Could Have Crushed His Dr. Seuss Segment,” currently on WND.COM, the Unz ReviewTownhall.com.

How Tucker Could Have Crushed His Dr. Seuss Segment” is on CNS.News, too.

And American Renaissance, where the conversation is lively.

And, the great American Greatness, the voice of next-generation conservatism.

Watch a video version of this column on YouTube.

And excerpt:

… Tucker’s mistake was his contents-driven defense of these kiddie books:

“Dr. Seuss was not a racist. He was an evangelist against bigotry,” pleaded Tucker. “He wrote an entire shelf of books against racism, and not in a subtle way. They were clearly, explicitly against racism. That was the whole point of writing them, to teach children not to be racist.”

Yawn.

Even if Dr. Seuss was the pedagogic, sanctimonious bore Tucker makes him out to be—actual racism in the targeted literature should be a peripheral issue, or no issue at all.

The Argument from Freedom means arguing process, not content.

Whether he intended it or not, the premise of Tucker’s defense of Dr. Seuss is that if we do detect “legitimate” racism in literature—there is a case for banning it. (Now, Tucker might not have meant it that way, but, this is what the structure of his argument portends.)

By contrast, freedom makes the case for an unfettered free market in ideas, good and bad. Freedom argues for politically impolite books to be published and read freely.

Banning books, moreover, assumes a lack of choice and agency among individual human beings. It’s also predicated on a higher authority that decides for the rest of us which cultural products are fit for our consumption.

The Argument from Freedom means arguing not over the contents of Mein Kampf or McElligot’s Pool, but for their publication irrespective of their content.

Which is why I say freedom’s argument is an argument from process, and not content.

Mein Kampf, and any offensive literature, needs to be available in a free society to free men and women who want it. And not because of history; so that we don’t forget it or repeat it (blah, blah, blah, as I heard it enunciated by Seattle’s radio mouth, Jason Rantz, the other day).

Alas, in the face of the cancellation of people and publications, cancelled conservatives just keep these logically weak and, frankly, loser mea culpas coming. Like the Argument from Hitler, which is a kind of “WhatAboutism”:

“Amazon and eBay sell Mein Kampf, why not Dr. Seuss? I want what Hitler got, Amazon and eBay. Me too. Boo-hoo.”

Tweeted “Musil Protégé”: “Conservatives [inadvertently] condone presentism. As Audrey says in Whit Stillman’s Metropolitan: ‘Has it ever occurred to you that our world judged by the standards of Jane Austen’s time would (look ridiculous)?’”

Most great literature doesn’t meet the sub-intelligent standards of the woke illiterati, who control the intellectual means of production—the schools (primary, secondary, tertiary), the press, publishing houses, think tanks, Deep Tech and the Deep State. …

NEW COLUMN IS either “The Wussification Of The West: Will We Ban Shakespeare For Othello And Shylock?” Or, “How Tucker Could Have Crushed His Dr. Seuss Segment,” currently on WND.COM, the Unz Review and Townhall.com.

How Tucker Could Have Crushed His Dr. Seuss Segment” is on CNS.News and American Renaissance as well.

Watch a video version of this column on YouTube.

UPDATE II (3/16): Facebook
Ray McClendon:

I’m a big Tucker fan too Ilana. Your article pointing out his arguments along with others who made the same argument give rise to mixed emotions. On the one hand, he (and they) are not wrong. There is some validity to their logic. After all, truth is often multifaceted. Plus, we’re all on the same side fighting side by side as allies in a common cause. On the other hand, you perform a great service when you point out there are far more substantive, powerful, and relevant arguments to be made, reminding me of that axiom, “Great minds may think alike, but greater minds think alone.” It’s why you’ve always been in a class by yourself. Thank you…

Ilana Mercer

No! I point to he fact that the argument from racism is irreverent if one is arguing classical liberal freedoms. Tucker, whom I love, was arguing from the leftist premise. The End. No argument. You can both love Tucker, and agree he presented a weak case for freedom. I do. That’s not wrong.

UPDATE III (4/9): When Adult humor is allowed:

Ed Powell:
“You are my favorite African-American.”
Me:
“That’s good ‘adult humor’. I am an African-American Jew.”
MrSweetaz:
“@ILANAMERCER, LOL, Hitler wouldn’t have known what the hell to do with you.”
Me:
“I think he would.”

Dr. Seuss And The Wussification Of The West

Argument, Education, English, Literature, Logic, Race, Racism, Reason, The West

Tucker Carlson’s defense of some purged Dr. Seuss books is plain wrong: “Seuss was not a racist” was the gist of Tucker’s defense.

But before deconstructing the TV host’s conservative, typically defeatist argument, here is the latest in the saga of Dr. Seuss and the wussification of the West, from the New York Times:

Six Dr. Seuss books will no longer be published because of their use of offensive imagery, according to the business that oversees the estate of the children’s author and illustrator.

In a statement on Tuesday, Dr. Seuss Enterprises said that it had decided last year to end publication and licensing of the books by Theodor Seuss Geisel. The titles include his first book writing under the pen name Dr. Seuss, “And to Think That I Saw It on Mulberry Street” (1937), and “If I Ran the Zoo” (1950).

“These books portray people in ways that are hurtful and wrong,” Dr. Seuss Enterprises said in the statement. The business said the decision came after working with a panel of experts, including educators, and reviewing its catalog of titles.

Mr. Geisel, whose whimsical stories have entertained millions of children and adults worldwide, died in 1991. The other books that will no longer be published are “McElligot’s Pool,” “On Beyond Zebra!” “Scrambled Eggs Super!” and “The Cat’s Quizzer.”

In “And to Think That I Saw It on Mulberry Street,” a character described as “a Chinaman” has lines for eyes, wears a pointed hat, and carries chopsticks and a bowl of rice. (Editions published in the 1970s changed the reference from “a Chinaman” to “a Chinese man.”) In “If I Ran the Zoo,” two characters from “the African island of Yerka” are depicted as shirtless, shoeless and resembling monkeys.

A school district in Virginia said over the weekend that it had advised schools to de-emphasize Dr. Seuss books on “Read Across America Day,” a national literacy program that takes place each year on March 2, the anniversary of Mr. Geisel’s birth.

“Research in recent years has revealed strong racial undertones in many books written/illustrated by Dr. Seuss,” according to the statement by the district, Loudoun County Public Schools.

An example of “wussification,” namely the melding of “wimp” and “pussy” to make a wussy, is this fretful headline: “Parents grapple with racist images in Dr. Seuss books.”

You “grapple” with a shortage of food; with the fact that your kids are not learning to speak, read and write English proficiently. You “grapple” with footage of Kamala Harris, swallowed whole and  subjected to the peristaltic movements of a python snake, as he digests her—to pull or to publish the ostensibly upsetting images?

But you don’t “grapple” with Dr. Seuss content.

And, yes, Dr. Seuss Enterprises rolled over, conceding to cancelling its own books.

Tucker’s defense:

“Dr. Seuss was not a racist,” Carlson asserted. “He was an evangelist against bigotry. He wrote an entire shelf of books against racism, and not in a subtle way. They were clearly, explicitly against racism. That was the whole point of writing them, to teach children not to be racist.”

Actual racism in the targeted literature should be a peripheral issue, or no issue at all.

The Argument from Freedom means arguing process, not substance.

Whether he intended it or not, the premise of Tucker’s defense is that if we do detect legitimate racism in literature—there is a case for banning it. (Tucker didn’t mean it that way comes the counter-argument. This, however, is what the structure of his argument portends. The premise of Tucker’s argument is precisely that.)

And freedom means that politically impolite books may be published and read freely. Freedom means no book banning. Period!

Moreover, banning books demands a higher authority that decides for the rest of us. As does banning  assume a lack of choice and agency among individual human beings.

It’s called freedom. The Argument from freedom means arguing for Mein Kampf as well as for McElligots Pool. A free market in ideas.

And not because of history, blah, blah, blah; namely, so that we don’t forget it or repeat it, as I heard it enunciated by radio mouth Jason Rantz, the other day. Mein Kampf, and any literature, needs to be available in a free society to free men and women who want it.

In the face of the cancellation of conservatives, the latter invariably just keep making these logically impoverished “arguments.” In this case, it’s the Argument from Hitler: “I want what Hitler got, Ebay. Me too, Amazon.” Or, call it a kind of “WhatAboutism”: Amazon sells Hitler’s book, why not Dr. Seuss’s?

“Conservatives,” tweets “Musil Protege,” “start arguments by legitimizing the premises of stupid questions. Then they condone presentism. As Audrey says in Whit Stillman’s Metropolitan: “Has it ever occurred to you that our world judged by the standards of Jane Austen’s time would (look ridiculous)?”

Most great literature doesn’t meet the sub-standards of the woke illiterate who control the means of intellectual production, these being schools (primary, secondary, tertiary), press, publishing print, think tanks, Deep Tech and Deep State.

Much of the literary canon—the greatest works of literature—is guaranteed to violate woke racial dogma.

Shall we ban Shakespeare for Othello?

*(Christopher Dolan/The Times-Tribune via AP)

UPDATED (3/6) NEW COLUMN: AOC’s Coven of Spitting, #MeFirst Cobras Comes To Congress

Argument, Critique, Culture, Democrats, Donald Trump, Etiquette, Feminism, Gender, Government, Left-Liberalism And Progressivisim, Psychology & Pop-Psychology

NEW COLUMN is “AOC’s Coven of Spitting, #MeFirst Cobras Comes To Congress” is now on WND.COM, The Unz Review, Townhall.com and the great American Greatness.

The column debuted on CNS.News.

Excerpt:

The media scrum framed the Trump impeachment circus, round two, as an “emotional” affair.

Headlines homed in on the “emotion” surrounding the trial. “It Tears at Your Heart. Democrats Make an Emotional Case to Senators — and America — Against Trump,” blared one of many hackneyed screamers, this one from Time.com.

The case made by the managers “was both meticulous and emotional,” came the repetitive refrain.

Democrat Jamie Raskin, a representative from Maryland and a lead impeachment manager, sniffed “emotionally” as he related what to him was a heartbreaking tidbit: His (privileged) daughter expressed fear of visiting the Capitol again, presumably because of the January 6 fracas. That made Jamie cry. And when Jamie Raskin cries, normies outside Rome-on-the-Potomac laugh. Uproariously.

Impeachment managers had warned all present in the Senate Chamber that evidentiary footage would be upsetting. Their presentations were “intentionally emotional,” intoned CNN’s Dana Bash, who had paired up with one Abby Phillips for the “solemn” affair. Phillips’ “coverage” of all things Trump, in scratchy vocal fry, was a reminder that the Left’s “empaneled witches and their housebroken boys are guided more by the spirit of Madame Defarge than by lady justice.”

A lady in an armadillo outfit emoted a lot. She was impeachment manager Stacey Plaskett. Although not particularly fashionable or feminine, there was a ton of “emotional” praise on the Internet for Plaskett’s attire. Armani’s armadillo apparel was certainly a preferred distraction to the decibels of weepy rage emitted over the Trump protest.

The “intentionally emotional” affair, the last impeachment trial conducted by the Senate, had been preceded by an even more “emotionally” bizarre “healing” coven in Congress, led by the representative from New York, one Alexandria Ocasio-Cortez.

Ocasio-Cortez set up an hour-long primitive, ritualistic session conducted, putatively, to purge the pain over the January 6 protest on the Capitol.

Early in February, a coven of “prominent Democratic lawmakers, including Reps. Ayanna Pressley (Massachusetts) and Rashida Tlaib (Michigan),” joined Ocasio-Cortez in forcing such a session, with the aim of “creating space for members to talk about their ‘lived experience’” during that Capitol Hill riot.

Big League Politics, a news website, was incredulous, reporting that “congress [had] devolved into an AOC-led therapy session,” during which “House members cried while detailing their ‘lived experiences.’”

This American “thought” leader, Ocasio-Cortez, and her “harrowing” ordeal dominated the corporate press as well.

Here are some of the histrionic headlines as to what befell Congress’s queen of #MeFirst solipsism.

See if you can spot the operative word that animated the writers’ impoverished text:

“AOC reveals more personal details in new harrowing video …”

“AOC shares harrowing Capitol riot experience, reveals she’s a victim of …”. …

… READ THE REST.

NEW COLUMN is “AOC’s Coven of Spitting, #MeFirst Cobras Comes To Congress” is now on WND.COM, The Unz Review, Townhall.com, on CNS.News, and the great American Greatness.

UPDATE II (4/9): Whites: Stop Weeping And ‘Weatherize’ Your Kids

Aesthetics, Argument, Egalitarianism, Multiculturalism, Pop-Culture, Propaganda, Race, Racism, South-Africa, The West

Americans aren’t understanding on a visceral level the extent of the envy behind anti-White animus.

It’s the ethnocidal jealousy described in my book, “Into The Cannibal’s Pot: Lessons for America From Post-Apartheid South Africa.” It made the ugly Hutus take machetes to the beautiful Tutsis, killing a million. It’s what drives so much black-on-white violent crime.

This kind of jealousy makes uglies gouge blue eyes out. Literally.

Whites: Stop weeping and weatherize your kids, in other words, make warriors out of them.

See: “How To Think And Act Like A Ruthless Warrior By Jack Kerwick.”

AND:

Why Hatred Of Whites Is Here To Stay”

UPDATE (2/24): The “Why Do They Come Here, Then” Argument.

Another evasive tack taken, I believe, even by Tucker Carlson, @DrC88118048 No contradictions here. The only contradiction lies in the dumb West’s response of letting ’em in: Third World likes your stuff–likes the countries you create–just doesn’t like you creative types very much: Envy!

UPDATE II (4/9): The same applies to politicians. Grow a backbone.

Don’t apologize, Ron Johnson. Don’t bow to the racialist hostage takers. Stand tall. We were all petrified BLM and Antifa would come to out neighborhoods. Still are! The Jan 6 crowd? Harmless to you and me. Speak for us, man!