THE LIVE HARD TRUTH PODCAST, March 7, 2023, with David Vance and myself, was a great deal of fun. It is definitely worth postponing all midday appointments for. We go deep.
I question US belligerence against China whilst being buoyed by African resistance to US foreign policy diktats. David exposes Covid lies and distractions peddled by the spineless media. AND MUCH MORE.
We really enjoy your comments, so do make a point of joining us next time.
TOPICS include: The batshit crazy American belligerence against China. While offering meek opposition to the Ukraine project, the ostensibly “sane” wing of the GOP is ever ready with an alternative war. Booboisie seems on board with the buildup.
I am, however, buoyed by Africa’s resistance to US foreign-policy dictates, the direction taken with Putin, to be precise. Trust a Brother to have the gumption to tell the sanctimonious Anglo-Ameri-European axis of evil to go jump in the lake. Via RT.
We expect to touch on Trump’s address at CPUKE 2023. FBI Director Christopher Wray’s sudden need to direct the story-line about the origins of COVID has piqued our interest, too.
Be there. And send comments for posting while you watch.
… THE ONLY SUBSTANTIVE CONSERVATIVE CASE to make over the Grammys is that it signifies the complete loss of immutable artistic standards. For while artistic taste is subjective and personal; artistic standards are everywhere and always objective.
Nobody looking at, and listening to, the 2023 Grammys should dare talk about beauty—of melody or movement—harmony (as in consonance and counterpoint), chord progression, and a facility with musical instruments, for these were nowhere apparent. Better melodic progression is to be found in “Baa, Baa, Black Sheep” and “Three Blind Mice.”
Nobody watching these erogenous-zone centered extravaganzas, for which the celebrity Idiocracy clapped like clapped-out whores, should dare conclude anything but this:
The Grammys were about the end of art—about the loss of all meritocratic, objective standards in art.
THE TRUE MEANING OF THE WEST is not to be found in the staged acts of ugly exhibitionists and filthy pornographers who bedeck our cultural and sporting events, the likes of loud, lousy Lizzo, a mountain of meritless flesh, and the Sam Smith Sicko—demented degenerates who are all engaged in publicly tolerated indecent exposure and tuneless yelping, that not even the Auto-tune magic software, the “holy grail of recording” technology, can correct.
THE MEANING OF THE WEST is not in this ghastly culture, in which our kids, liberal and conservative, are allowed to wallow, or in our ugly, grubby, tit-for-tat politics.
IT’S NOT in the Woke, postmodern perverts degrading the language, literature, music, art and sciences.
IT’S NOWHERE IN THE COVID CARTEL and its army of goons, medical and bureaucratic, devoid of intelligence and bereft of proficiency in anything but the use of force.
The aforementioned are imposters, interlopers; frauds, freaks and fetishists.
Beethoven is The West. It’s men like Beethoven, Bach, Mozart, Mendelssohn, Schubert, Brahms, Bruckner, Debussy, César Franck, Dvorák, Tchaikovsky (a Russian homosexual, whose manly music could never be queered), Elgar, Fauré and more—they embody The West. They and the many young performers furthering their work, the work of the Lord, are examples of the best of the West. …
Beethoven, Mozart, Bach, Mendelssohn, Schubert, Brahms, Bruckner, Debussy, César Franck, Dvorák, Tchaikovsky (Russian), Elgar, Fauré and more—they embody The Best of The West, not the Woke perverts, the Covid goons; rap, reparations, and the critical race bile ~ilana
THE TRUE MEANING OF THE WEST is not our ugly, grubby, tit-for-tat politics and even ghastlier culture, in which our kids, liberal and conservative, are allowed to wallow.
It’s not the Woke, postmodern perverts degrading the language, literature, music, art and sciences. It’s not the COVID cartel and its army of goons, medical and bureaucratic, devoid of intelligence and bereft of proficiency in anything but the use of coercion.
The meaning of the West is not to be found in the staged acts of ugly exhibitionists and filthy pornographers who bedeck our cultural and sporting events, the likes of loud, lousy Lizzo, a mountain of meritless flesh, and Sam Smiths Sicko—degenerates who are all engaged in publicly approved indecent exposure and tuneless yelping, that not even the Auto-tune magic software recording technology can correct.
These are cultural interlopers, frauds and freaks.
Beethoven is The West. Beethoven is an example of the best of the West.
“Ode to Joy,” inspired by Friedrich Schiller’s eponymous poem, is but the soundbite in Symphony No. 9. Sublime as it is, “Ode to Joy” is the popular tune in a more magnificent whole.
One should not seek out exclusively the Ode of the Finale—the fourth movement—without assimilating the typically ballsy build-up by Beethoven throughout the preceding Allegro (first movement), scherzo (second movement) and Adagio (third).
Music is Man. Like nobody else, Beethoven instantiates this truth in all his Symphonies. (Listen to No. 5 here, conducted by the great Herbert von Karajan, and tell me this is not so.)
To share with you, I have a fine performance of “Symphony No. 9 in D minor, Op. 125 ‘Choral’ (1824).” It is that of The West-Eastern Divan Orchestra, conducted by Daniel Barenboim. Barenboim’s intensity during the performance and the perfection he wrung so effortlessly from these young musicians—beautiful in face and form, hailing from far flung countries across the Middle East and North Africa—led me to suspect this setting was more than just a celebrity conductor—one of the greatest, for sure—parachuted in for a night.
Indeed, the West-Eastern Divan Orchestra is a product of the vision of Maestro Daniel Barenboim and the less talented more verbose Edward Said, a Palestinian intellectual. The impetus of the collaboration, I imagine, was to foster peace through music. Done.
Not Allah or Jehovah ever inspired this kind of transcendence. Christianity did. This is The West, not the Woke perverts, the Covid goons; rap, reparations, and the critical race bile
It’s men like Beethoven, Mozart, Bach, Mendelssohn, Schubert, Brahms, Bruckner, Debussy, César Franck, Dvorák, Tchaikovsky (Russian), Elgar, Fauré and more—they embody The West. They and these young performers furthering the work of the Lord.
Sad anecdote: Beethoven had composed the sublime work utterly deaf.
According to one account of the event, the audience applauded thunderously at the conclusion of the performance, but Beethoven, unable to hear the response, continued to face the chorus and orchestra; a singer finally turned him around so that he could see evidence of the affirmation that resounded throughout the hall.
