Category Archives: Culture

UPDATED: Tucker Compares ‘White Fragility’ Agitprop To ‘The Protocols Of The Elders of Zion’

Culture, Literature, Propaganda, Race, Racism

Excellent comparison was made by Tucker Carlson between the work of propaganda that is “The Protocols Of The Elders of Zion,” an anti-Semitic czarist canard and fraud, and the White Fragility agitprop.

White Fragility, a book, is currently being peddled by the corporate and political overlords to further cow white Americans into racial servility.

The phrases Tucker used to describe the tract and the act of reading White Fragility are lovely:

  • demented piece of pseudoscience
  • vicious and crazy
  • read openly in public places with no shame.
  • How would you feel if your seatmate on a United flight cracked open the Protocols of the Elders of Zion?

The most popular book on the left right now is a demented piece of pseudoscience entitled White Fragility. It was written by a wild-eyed race monger known as Robin Diangelo. Ten years from now, we’ll look back in horror at the thought that so many decent people would read something this vicious and crazy as White Fragility, and read it openly in public places with no shame. That’s a bad sign. How would you feel if your seatmate on a United flight cracked open the Protocols of the Elders of Zion? You’d be shocked. And yet, thanks to encouragement from Democratic leaders, it is happening everywhere. White Fragility is now required reading in schools and in boardrooms. Corporations are internalizing its message. It’s sick message

Via Media Matters.

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The Musical ‘HAIR’ Is Not Anti-White; IT’S Quintessentially WHITE And Western

Art, Culture, Film, Left-Liberalism And Progressivisim, Music, Race, The West, War

In mentioning Milos Forman’s formidable musical in “The Kiss,” my latest column,” an Unz Review reader alleges I was promoting an anti-White film.

“Hair” is a magnificent antiwar movie, featuring Western ideas, music and dance at their most triumphant.  This musical is an achievement (and I don’t much like musicals).

Who do you think That War killed? Poor white boys (and millions of Vietnamese).

What kind of music does it feature? Quality Western music. Western dance at its best, too. (No matter the color of the choreographers, I see the great Martha Graham’s influence in there).

What kind of black-Americans does “Hair” the movie showcase? Blacks singing in the Western tradition, dancing in the same tradition (no twerking) and signing-up to the tradition of anti-state war protest.

What kind of Left was featured in “Hair”? The Old Left, the anti-war Left, before “liberal brains became pickled in the formaldehyde of wicked woke, identity politics.

As I wrote, “At its most effective and substantive, the left once protested against gratuitous wars.” Now, “’the new liberal brand’ amounts to nothing more than ‘commodified and market-tested ‘diversity.’”

Hair is not anti-white; it instantiates Western culture in every respect.

NEW COLUMN: The Barbarians Are In Charge: Scenes From The Sacking of America

Crime, Criminal Injustice, Cultural Marxism, Culture, Law, Media, Military, Multiculturalism, Socialism, The State

NEW COLUMN is “The Barbarians Are In Charge: Scenes From The Sacking of America.” It describes, among much else, what Seattle’s mayor, Jenny Durkan, calls a block party. There is such a “party” across the USA.

The column appeared on WND, the Unz Review, and The Saker. And is currently featured on American Greatness, where you can read it now.

An excerpt:

On June 9, I tweeted out the following:

“Seattle’s East Precinct has fallen, as Police Chief Carmen Best orders Seattle Police to evacuate. The occupiers, aka the ‘peaceful protesters,’ declare victory. ‘They’ve given us the precinct,’ they boast. Not even in South Africa.”

A mere day on, and the City of Seattle was de facto occupied territory, fallen to the “peaceful protesters”—the same counterculture media darlings who’ve been sacking cities across America.

The rabble—Black Lives Matter sympathizers, which, as police arrest records show is almost entirely local—was further roused by Seattle City Council member Kshama Sawant, formerly of Mumbai.

Most reprehensibly, pied piper Sawant led the “peace makers” to occupy City Hall in downtown Seattle, on Tuesday, June 10.

The altercation between Council Member Sawant and Seattle Mayor Jenny Durkan gives new meaning to the “broad” sweep of ideas in this dysfunctional city. Sawant, a socialist, called on Mayor Durkan, a progressive, to resign over abuse of power (what power?) and systemic racism (a meaningless abstraction). This, as the city was being sacked.

Surrender Monkeys

As of this writing, the Seattle Police have surrendered without defeat.

Seven blocks of downtown Seattle, renamed the “Capitol Hill Autonomous Zone” (CHAZ), have been appropriated by the Peaceful Ones, with the imprimatur of the mayor and her police chief (Carmen Best aforementioned). Now loosed on the public, these buccaneering  entrepreneurs are reported to have set up checkpoints to shake down residents who imagine they may come and go. Not in this satrapy.

On the positive side, Seattle now has that shithole-country vibrancy.

President of the Seattle Police Officers Guild, SPOG, penned an open letter to lunatic Mayor Durkan, pondering how he would fulfill his sworn oath of office to protect lives and property without so much as tear gas.

He got his answer. America did. Across the U.S., the message to law-abiding Americans, from city, town, county council members and other legislators came loud and clear: You’re on your own. Neither police nor politicians are coming to protect what’s left of your businesses or your banal, bourgeoisie little life.

Last I looked, there were 400,000 “guardian angels” in private security toiling to make up for the South African state’s failure to protect its people. Every year, millions in taxpayers’ money are forked out to private security firms to protect the new South Africa’s police stations. “South Africa’s protectors, in other words, can’t protect themselves.” Will Seattle’s neutered policemen be investigating this option? Is it time for them to cut the shafted taxpayers loose? Let us go private?

When all is said and done, the George Floyd riots are a law and order event. Nothing else matters in the overarching context of a failed state, in which ordered liberty is dead, and the law-abiding are utterly forsaken, even vilified.

Yes, victims are now villains and villains are martyrs.

Unbeknownst to Nikolas Fernandez, a gainfully employed security guard, the Capitol Hill district of Seattle now belongs to the “peaceful protesters.” Fernandez dared to drive down it, only to be mobbed by the barbarians and forced to shoot an attacker possessing of animal-like agility. Legacy media quickly turned the narrative on its head. Fernandez, whose brother is a policeman, had invaded “peaceful protester” turf. His attacker took a bullet for peace. The attacker is now a hero. …

READ THE REST …  NEW COLUMN is The Barbarians Are In Charge: Scenes From The Sacking of America.The column appeared on WND, the Unz Review, and The Saker. And is currently featured on American Greatness, where you can read it now.

UPDATED (5/26): March Of Mephisto By Kamelot (Music Is Male)

Art, Culture, Gender, Human Accomplishment, Music

It’s so obvious. Music is male. It was male when Johann Sebastian Bach was making it. And it was male until real men fell from favor and were replaced with prancing androgyny.
For the few progressive rockers remaining (check), here’s “March Of Mephisto” by Kamelot, which MUST be cranked-up:

RELATED: “Best Headbanger Ever: Simone Simons Sings ‘The Haunting’ By Kamelot”

UPDATE (5/26):
She forgot about #MeToo and #Masks and reacted like men and women once used to react to one another: naturally. Adorable.