Quick Comments: Tucker On Twatter & Prisoners in Russia; Kate’s Killer Curtsy, Kissinger Revives Realpolitik

Britain, Celebrity, COVID-19, Etiquette, Family, Foreign Policy, Media, Russia, War

The December 8th segment of Tucker Carlson Tonight was a celebrity circle jerk. Celebrity journos, NOT dissidents—for all are part of a well-backed, well-oiled power structure, none a powerless independent—bitched about not trending on Twatter, losing 40,000 followers here and there to shadowbans, all for posting mild, quasi-controversial tweets, such as “lockdowns are bad.”

On the matter of COVID, and for quite some time, Tucker has not had one truly impressive, independent medical thinker on his show. By which I mean the likes of Dr. Peter McCullough, Dr. Kelly Victory, Robert Malone, and inquiring, honest minds the likes of Dr. John Campbell of the UK and Suneel Dhand, MD.

Tucker’s resident expert, Dr. Marty Makary, epitomizes the mediocre mind in all his belated “findings” regarding COVID. Makary is no analytical thinker. He’s safe, yet our host congratulates him with regularity for his “bravery.” Preposterous.

It was almost 2 years ago that I shared an important item on LinkedIn posted by a highly credentialed researcher. She had been flabbergasted at having found no data on research to rule out the fact that the mRNA spike protein migrates well beyond the muscle, which is where vaccines are meant to remain—“muscle tissue also tends to keep vaccine reactions localized.” Instead, spike protein has been found throughout bodily tissue.

Two years hence, Tucker’s Marty Makary mentioned this phenomenon on Tucker Carlson Tonight. “Good morning Elijah,” as we’d say in Israel to a Johnny-come-lately. Everything the likes of Makary have to say about COVID is derivative and thus too late. Had I listened to the likes of Makary, I’d be vaccinated for that was his general recommendation. Naturally, I didn’t. There was no risk of that.

Another late, far more meaningful, awakening came from Henry Kissinger. The famous practitioner of Realpolitik in diplomacy finally piped up in favor of “achieving peace through negotiation” between Ukraine and Russia. Kissinger reminded his neocon readership at The Spectator, alas all too gingerly, that “Russia has made decisive contributions to the global equilibrium and to the balance of power for over half a millennium. Its historical role should not be degraded.” He “recommended establishing a ceasefire line along the borders existing where the war started…”

If the invasion of Ukraine commenced on 24 February, 2022, your columnist was first to resurrect the concept of Realpolitik on March 3, 2022, writing the following in “Uncle Sam Still King Of All Invaders: Ukraine, Realpolitik And The West’s Failure.

Good old realpolitik is what Zelensky should have been practicing with his powerful neighbors and historic brethren, the Russians. This is precisely what President Joe Biden should be shamed into doing now: talk to Putin; thrash out a cease-fire, ASAP; haggle for the lives of the population under siege because led by imbeciles.

Realpolitik is practical politics, the art of getting along, differences and all, in a real world in which reality, including the differences between people and their political systems, is accepted and dealt with.

Contrary to proclamations, it is not a moral foreign policy that America practices but a moralistic one. Be like us or we’ll destroy you! Instead of realpolitik, Zelensky adopted America’s moralistic, impolitic, uppity manners. It took a war to get Zelensky to the negotiating table with Putin, where he ought to have been from the start.

Look, the US Uniparty is trying to effect regime change in Russia. Nevertheless, Mr. Carlson—and here again he falls short—seems to believe Americans have a right to travel to Russia and remain unharmed, even though we routinely malign that country as a whole, accuse it of being behind every malfunction in the US, and have imprisoned Russians visiting the US—young Maria Butina for example—accusing them of spying. Russia returns the favor. This is the natural order of things.

Finally, it looks like my favorite royal, Kate Middleton, is taking the mickey out of the monstrously crass Meghan Markle, and doing that with an effortless, graceful, traditional curtsy. In tilting that delicate ankle with a broad smile and good cheer, Kate put two Ugly and Evil attention seekers in their place.

Markle is a two-bit actress who takes pride in NOT BEING ABLE TO LEARN THE SIMPLEST OF ROUTINES: the curtsy.  We all know better. Markle is spiteful and nasty. She comes not to build a great family, but to destroy it—sow divisions, nurse grudges and veer from drama to drama, for that is how such a simple, cunning organism as she is maintains a level of arousal.

Try as Kate might to counter aggression against her person and family with class—there comes a time when a pointy Prada stiletto embedded in a squat behind, Markle’s, is the best option. The royals look weak–and worse. It’s time to make the pygmy nipping at their heels cease and desist.


LASTLY: David Vance and I will be live on our HARD TRUTH podcast, Tuesday, January 20, at about 12:45 Pacific Time.  Join us for a toast. Send questions in real time. 

 

NEW COLUMN: Forget Iran, China And Hunter: Americans Are Suffering

COVID-19, Crime, Foreign Policy, IMMIGRATION, Iran, Latin American, Neoconservatism, Race, Republicans, Technology

NEW COLUMN, “Forget Iran, China And Hunter: Americans Are Suffering,” is currently featured on WND, The Unz Review, The New American. It’s scheduled on CNSNews.com.

And is now on ilanamercer.com.

Excerpt:

… Eddies of passion now flow from the conservative commentariat to the Chinese locked down by their government. And for Iranian women locked behind the hijab. Iran is no great shakes. China is terrible. But how dare our “thought leaders” agitate at cyclone strength for Chinese and Iranian protesters, yet offer a collective yawn over liberty sundered at home!

Americans have endured lockdowns, still battle vaccine mandates, cannot unite with unvaccinated friends and family outside the US and are subjected to FBI raids and other Security State surveillance.

The pincer for the person bucking orthodoxy comes when, with state acquiescence, corporate thought police cancels nonconformists, publicly shames and financially ousts them. Jan. 6 protesters and other prisoners of conscience are denied their due process rights. Other than Marjorie Taylor Greene, Republican from Georgia, no representatives intervene on their behalf. Libertarian activist Julian Assange is slowly being murdered by the Anglo-American axis of evil for exposing its machinations; and Americans are maimed and murdered daily by a sinecured, coddled criminal class, imported or hot-housed here at home by elected officials who reject the Sixth Commandment. …

It so happens that the real story in Iran is not the women and their nosebags—who, once in the US, become indistinguishable from our own woke witches, down to the tumbleweed hair and the banalities that tumble from their motor mouths. Rather, the real story is our successive, neoconservative administrations starving the Iranian people. If they can’t kill directly, the neocons of Foggy Bottom and DOJ, whichever party is in charge, steal from Iranians or starve ’em. …

… READ THE REST on WND, The Unz Review, The New American.

UPDATED (11/30/022): Complex, Masterful Music Is Not Marxist; Atonal Arnold Schoenberg Is

Art, Cultural Marxism, Culture, Music, The West

Schönberg’s music sounds as ugly as it looks—behold the the sheet-music heading this blog post

People throw about the term “Cultural Marxism” with abandon, without always understanding what it means. Like antibiotics, the overuse of  the term diminishes its potency.

About the virtuoso progressive metal band “Dream Theater,” a reader wrote on Twitter:

It is not MUSIC, it is the INSIDIOUS cultural Marxist degradation of music into a WALL OF NOISE that passes itself off as progressive. In actual fact, it is a step backward for civilization.

The reader is confused. Highly accomplished and polished progressive rock groups like “Dream Theater” or “Symphony X” follow Western rules of harmony, which go back hundreds of years. Layers of complexity in composition are being conflated here with Cultural Marxism.

The fact that it takes some dedication to listen to music that isn’t all of three chords—as is the blues or the country music twang—doesn’t make it Marxist.

What the reader is hearing in Dream Theater is, again, complexity. Highly accomplished and polished progressive rock groups like Dream Theater and Symphony X follow Western rules of harmony. And, odd time signatures, “irregular, complex, asymmetric or unusual time signature,” (my fav) are not Marxist.

While Dream Theater uses exceptionally complicated rhythms, their music is at its structural core traditional Western music.

What the reader says about Dream Theater—some would say about the genius of Béla Bartók or Igor Stravinsky. They would be wrong.

I was trained by a tough father, no longer with us, to listen to classical, in particular, chamber music, starting at a tender age. No option was given. The love followed the discipline, hence the ear for complexity.

If we wanted to spend time with dad, Friday, it was 5 hours of nonstop music. One night it’d be Bartók, the other Beethoven, but dad also introduced us to The Beatles. (Western civilization, parents. Do it up, not Kanye West.)

The routine dad enforced seemed awfully oppressive then. Today, I am grateful for the gift of knowing—nay, seeking out—the greatest music, which is, indubitably, Western music. Thus transitioning from Schubert’s “Death and the Maiden” to gifted progressive rock guitarist Tony MacAlpine is organic.

Dad, a rabbi, once whispered sheer blasphemy to me as a kid, “Don’t tell anyone, but Bach is really God.”

Without going into Cultural Marxism and doing the hard work of applying the concept to music, let me say only that the music mentioned is not Marxist as it adheres to traditional scales and structures.

WHAT IS MARXIST is the G-d-awful Arnold Schönberg and his atonal technique. Schönberg’s  music sounds as ugly as it looks—check out the sheet music heading this post.

The reason he’s Marxist is that Schönberg treated all 12 semi-tones as equal, seeking to weaken harmonic progression. This rigidly ruled out patterns and familiarity, and with it the pleasant sensation that comes with beauty and symmetry.

MORE here:
http://barelyablog.com/category/music/
www.ilanamercer.com/category/music/

UPDATED (11/30/022)

Arnie Schönberg would think “Brother Of Mine,” a sublime piece by “Yes,” kitschy in the extreme.

https://www.youtube.com/watch?v=U5LNojKALxc

https://youtu.be/U5LNojKALxc

While it has plenty odd time signatures; it also has exquisite compositional complexity, masterful execution, top-notch musicianship. AND THIS IS LIVE. Indistinguishable from the studio version.

Most so-called musicians today, other than classical, are inaudible and tuneless live without the mighty Auto-Tune: the “holy grail of recording,” that “corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts.”